Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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... Shakespeare . University of California Press , 1981. University of California Press . Reproduced by permission of the publisher and the author . - Kahn , Coppelia . From " The Cuckoo's Note : Male Friendship and Cuckoldry in ' The ...
... Shakespeare . University of California Press , 1981. University of California Press . Reproduced by permission of the publisher and the author . - Kahn , Coppelia . From " The Cuckoo's Note : Male Friendship and Cuckoldry in ' The ...
Seite 87
... Shakespeare's Antony and Cleopatra ( Sydney : Uni- versity of Australia Press , 1968 ) , pp . 101-15 ; and Pe- ter Erickson , " Antony and Cleopatra as an Experiment in Alternative Masculinity , " in Patriarchal Structures in Shakespeare's ...
... Shakespeare's Antony and Cleopatra ( Sydney : Uni- versity of Australia Press , 1968 ) , pp . 101-15 ; and Pe- ter Erickson , " Antony and Cleopatra as an Experiment in Alternative Masculinity , " in Patriarchal Structures in Shakespeare's ...
Seite 358
... Shakespeare Criticism and The Two Gentlemen of Verona , " Critical Quarterly , 2 ( 1960 ) , 309-21 ; John Vyvyan , Shakespeare and the Rose of Love : A Study of the Early Plays in Relation to the Medieval Philosophy of Love ( London ...
... Shakespeare Criticism and The Two Gentlemen of Verona , " Critical Quarterly , 2 ( 1960 ) , 309-21 ; John Vyvyan , Shakespeare and the Rose of Love : A Study of the Early Plays in Relation to the Medieval Philosophy of Love ( London ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young