Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 40Gale Research Company, 1984 |
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Seite 105
... Christian charac- ters - Antonio , Bassanio , and Portia - have lost noth- ing , and have in fact gained money and love . Despite this favorable outcome for the Christians , they are often accused of failing to practice Christian mercy ...
... Christian charac- ters - Antonio , Bassanio , and Portia - have lost noth- ing , and have in fact gained money and love . Despite this favorable outcome for the Christians , they are often accused of failing to practice Christian mercy ...
Seite 117
... Christian approach to the play , maintaining that while the Christian characters are frequently accused of not practicing the beliefs they profess , when the actions of Portia and Bassanio are contrasted with those of Jessica and ...
... Christian approach to the play , maintaining that while the Christian characters are frequently accused of not practicing the beliefs they profess , when the actions of Portia and Bassanio are contrasted with those of Jessica and ...
Seite 130
... Christian quarter . The crux of the conflict between friendship and some versions of Christianity lay precisely in ... Christian- ity generally approved of it , encompassing it under the doctrine of imitatio Christi . So Antonio , the ...
... Christian quarter . The crux of the conflict between friendship and some versions of Christianity lay precisely in ... Christian- ity generally approved of it , encompassing it under the doctrine of imitatio Christi . So Antonio , the ...
Inhalt
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antonio Antony and Cleopatra Antony's Arden argues audience Bassanio Belmont bond boy actor casket characters choice Christian circumcision comic conventional Coppélia Coriolanus Cressida critics Dark Lady daughter death desire dramatic Duke Elizabethan essay father fear female feminine feminist flesh friendship Ganymede gender Geneva Bible genre Gentlemen of Verona give Gratiano hath hero heroines husband identity ideology Jessica Jewish London Lorenzo lover Macbeth male disguise marriage masculine means Merchant of Venice moral mother Nerissa Olivia Orlando Orsino Othello passion play's plot poems poet poetic Portia relationship Renaissance rhetorical ring role Roman Rosalind says seems sense sequence sexual Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shakespearean comedy Shylock social Sonnet 20 speare's speech spirit suggests sweet theatrical thee thou tion tragedy tragic tragicomedies trans trial scene Twelfth Night University Press usury Venetian Viola wife woman women words York young