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Seite viii
... reader who studies , as he is invited to do in a justly popular edition , Venus and Adonis between The Comedy of Errors and The Second Part of Henry VI . , or The Phoenix and the Turtle between The Merry Wives and Twelfth Night .
... reader who studies , as he is invited to do in a justly popular edition , Venus and Adonis between The Comedy of Errors and The Second Part of Henry VI . , or The Phoenix and the Turtle between The Merry Wives and Twelfth Night .
Seite ix
larger grouping of the Folio division , and to exhibit separately the unfolding of Shakespeare's Comedy , History , and Tragedy in approximately chronological order within each class . At the same time this division - a naïve product of ...
larger grouping of the Folio division , and to exhibit separately the unfolding of Shakespeare's Comedy , History , and Tragedy in approximately chronological order within each class . At the same time this division - a naïve product of ...
Seite x
Such combinations implied that the stricter associations of ' tragedy ' and ' comedy ' were still felt . But the more prevalent effect of the disparity was a steady relaxation of the definite meaning of both terms , which allowed them ...
Such combinations implied that the stricter associations of ' tragedy ' and ' comedy ' were still felt . But the more prevalent effect of the disparity was a steady relaxation of the definite meaning of both terms , which allowed them ...
Seite xi
Regarded askance by academic critics ( Meres , as has been said , ignores it altogether ) , and always tending , in the hands of a fine artist , to merge in the finer art of Tragedy or Comedy , the History ' retained its separate and ...
Regarded askance by academic critics ( Meres , as has been said , ignores it altogether ) , and always tending , in the hands of a fine artist , to merge in the finer art of Tragedy or Comedy , the History ' retained its separate and ...
Seite xii
... the possible delightfulness even of imperfect instruments , like doggerel or farce , before he threw them aside , and elicited from the disarray of Tragedy and Comedy and the crudity of ' History ' vital and organic forms of art .
... the possible delightfulness even of imperfect instruments , like doggerel or farce , before he threw them aside , and elicited from the disarray of Tragedy and Comedy and the crudity of ' History ' vital and organic forms of art .
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Bibliografische Informationen
| Titel | The Works of Shakespeare, Band 1 The Works of Shakespeare, Charles Harold Herford |
| Autor/in | William Shakespeare |
| Herausgeber | Charles Harold Herford |
| Verlag | Macmillan Company, 1904 |
| Original von | UC Southern Regional Library Facility |
| Digitalisiert | 26. Jan. 2016 |
| Zitat exportieren | BiBTeX EndNote RefMan |