Discourse, Band 342012 |
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Seite 150
... Movement ( 2001 ) , which similarly focuses on the early screenplays of Tanizaki and Kaeriyama Norimasa as a means to analyze the conception and production of Japan's earliest films and the Pure Film Movement ( Jun'eigageki undō ) ...
... Movement ( 2001 ) , which similarly focuses on the early screenplays of Tanizaki and Kaeriyama Norimasa as a means to analyze the conception and production of Japan's earliest films and the Pure Film Movement ( Jun'eigageki undō ) ...
Seite 151
... Movement of the 1910s and 1920s . Propo- nents of the movement sought to define a true essence of cinema , arguing that only those films that made full use of the cinematic medium - doing things with moving pictures that other forms of ...
... Movement of the 1910s and 1920s . Propo- nents of the movement sought to define a true essence of cinema , arguing that only those films that made full use of the cinematic medium - doing things with moving pictures that other forms of ...
Seite 201
... movement is driven by an ultimate aim . The tran- sient object that houses that soul can be anything : a twig , a bird feather , a live animal , a man - made artifact , or a building structure . The subject temporarily grants power to ...
... movement is driven by an ultimate aim . The tran- sient object that houses that soul can be anything : a twig , a bird feather , a live animal , a man - made artifact , or a building structure . The subject temporarily grants power to ...
Inhalt
Gilmore Girls and the Elasticity | 3 |
A Theory of Effeminate Enthusiasms | 59 |
Strategies | 93 |
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