Discourse, Band 342012 |
Im Buch
Ergebnisse 1-3 von 51
Seite 292
... experience that both interrupts and yet is part of the flow of the everyday . She represents this experience through the form of the film on the level both of aesthetics and narrative . Rather than present passion as an empirical ...
... experience that both interrupts and yet is part of the flow of the everyday . She represents this experience through the form of the film on the level both of aesthetics and narrative . Rather than present passion as an empirical ...
Seite 303
... experience of passion as being linked to the visual experience as such and tries to re - create this for the viewer who shares Frannie's point of view . Struggling to reconcile this experience of the visual with the demands of a murder ...
... experience of passion as being linked to the visual experience as such and tries to re - create this for the viewer who shares Frannie's point of view . Struggling to reconcile this experience of the visual with the demands of a murder ...
Seite 305
... experience and cannot continue until she's written the words down . This shot continues to empha- size the shifting focus of the frame - even waving Frannie out of focus for a moment to suggest that she herself cannot focus until she ...
... experience and cannot continue until she's written the words down . This shot continues to empha- size the shifting focus of the frame - even waving Frannie out of focus for a moment to suggest that she herself cannot focus until she ...
Inhalt
Gilmore Girls and the Elasticity | 3 |
A Theory of Effeminate Enthusiasms | 59 |
Strategies | 93 |
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