Discourse, Band 342012 |
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Seite 117
... camera tilting to keep him in frame . perception of this expanded field . It comes relatively early. Figure 1 : First shot . Figure 1.1 : Peter Parker running toward the camera ; camera panning left to keep him in frame . Figure 2 ...
... camera tilting to keep him in frame . perception of this expanded field . It comes relatively early. Figure 1 : First shot . Figure 1.1 : Peter Parker running toward the camera ; camera panning left to keep him in frame . Figure 2 ...
Seite 119
... camera stops , pans , and tilts to keep him in frame as he jumps up to the wall and starts climbing ( see figure 1.3 ) ... camera's movements are often close to the brick wall that Peter is climbing , which , like the scaffolding ...
... camera stops , pans , and tilts to keep him in frame as he jumps up to the wall and starts climbing ( see figure 1.3 ) ... camera's movements are often close to the brick wall that Peter is climbing , which , like the scaffolding ...
Seite 218
... camera that Benjamin describes extends to the confrontation that Friedlander locates in La Jetée wherein the ... camera . With- out an establishing shot putting Felisberto and the puppet in the same space , it is unclear whether ...
... camera that Benjamin describes extends to the confrontation that Friedlander locates in La Jetée wherein the ... camera . With- out an establishing shot putting Felisberto and the puppet in the same space , it is unclear whether ...
Inhalt
Contents | 2 |
A Theory of Effeminate Enthusiasms | 59 |
Strategies | 93 |
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