Discourse, Band 342012 |
Im Buch
Ergebnisse 1-3 von 24
Seite 52
... Invasion films expose the fact that the human environment , instead of being richer than that of plants , is itself experienced as empty : plants fill it . In the Invasion film of 1956 , plants - in a lushly cinematic disguise as a ...
... Invasion films expose the fact that the human environment , instead of being richer than that of plants , is itself experienced as empty : plants fill it . In the Invasion film of 1956 , plants - in a lushly cinematic disguise as a ...
Seite 53
... Invasion films render plants as both formless and alluringly shapely , both uncannily passive in their reproductive energies and highly active in their ability to take over systems of production that appear to have exceeded human ...
... Invasion films render plants as both formless and alluringly shapely , both uncannily passive in their reproductive energies and highly active in their ability to take over systems of production that appear to have exceeded human ...
Seite 54
... Invasion films help warn us of the dangers of a political position that slides too easily into narratives of self and other — that attempts to manage an environment that already lies within . Might they also make way for a new form of ...
... Invasion films help warn us of the dangers of a political position that slides too easily into narratives of self and other — that attempts to manage an environment that already lies within . Might they also make way for a new form of ...
Inhalt
Contents | 2 |
A Theory of Effeminate Enthusiasms | 59 |
Strategies | 93 |
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aesthetic allusions animation animistic Asia as Method Asian becomes Bill Hicks Caillois camera Campion characters cinema cinematic identification comedy critical critique describes desire diegetic discourse disembodied edited effervescence episode essay ethnic experience fag hag Family Guy fatigue Felisberto female fetishism figure Film Festival film studies film's filmmaking frame Freud Gesture Gilmore Girls global Hata Hata's human Ibid ilinx Invasion films Jetée La Jetée living Lorelai Malvina's Margaret Cho Mary Ann Doane mimesis modern modes mother and daughter movement narrative object onscreen Orientalism passion Passionless Moments Piano Tuner plants play pods political Pollack's film psychoanalysis Quays queer racial relation relationship representation Rory Rosetta Said's scene sense sexual shot Slavoj Žižek social space Spider-Man structure suggests television temporal term theory tion tiredness translated Tylor University Press vegetal viewer visual Walter Benjamin Wayne State University weariness Wendy Wendy's women York