Im Buch
Ergebnisse 1-3 von 16
Seite 107
And the man came out and said : " We have to go now , " and the woman did not want to go because she was a hothead . Because she was a woman in love , Toujours est - il qu'ils montèrent dans leur bateau et quitterent l'ile .
And the man came out and said : " We have to go now , " and the woman did not want to go because she was a hothead . Because she was a woman in love , Toujours est - il qu'ils montèrent dans leur bateau et quitterent l'ile .
Seite 118
And the man and the woman were on the island too . And they were not very smart , but they were happy as clams . Yes . Let's see ... uh ... then one evening the snake was walking about in the garden and he was talking to himself and he ...
And the man and the woman were on the island too . And they were not very smart , but they were happy as clams . Yes . Let's see ... uh ... then one evening the snake was walking about in the garden and he was talking to himself and he ...
Seite 119
And the man came out and said : “ We have to go now , ” and the woman did not want to go because she was a hothead . Because she was woman in love . Anyway , they got into their boat and left the island . But they never stayed anywhere ...
And the man came out and said : “ We have to go now , ” and the woman did not want to go because she was a hothead . Because she was woman in love . Anyway , they got into their boat and left the island . But they never stayed anywhere ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
A Special Issue on Music | 3 |
John Cages Aesthetics | 28 |
Theodor W Adorno Jamie Owen Daniel trans | 45 |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accordance Adorno aesthetic allow American analysis Anderson appears appropriation artist authority avant-garde basic become body Burgess Cage Cocteau collective composer composition construction continuity Creation critical dance discourse effect elements essay experience expressed fact finally force function human images important individual issues jazz John language later literary literature live London Marcus Marxism mass culture material meaning mechanism Milhaud modernist movement narrative nature never Notes novel object once opera oppositions original Paris performance period piece play pleasure Politics popular position Postmodernism practice precisely present production published punk question reality recent reference relations represented rhythm Rock says seems sense sexual shock social society song sound space story structure Studies style subcultural success suggests theory things tion traditional trans University voice woman women writing York youth