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Seite 79
The subject of this essay — literature , popular music , and youth subcultures in postwar England — affords a strong ... Anthony Burgess , the Rolling Stones , and the Sex Pistols , 1958-78 , subcultural groups arrived at a conscious ...
The subject of this essay — literature , popular music , and youth subcultures in postwar England — affords a strong ... Anthony Burgess , the Rolling Stones , and the Sex Pistols , 1958-78 , subcultural groups arrived at a conscious ...
Seite 83
... just as it is McRobbie who cites the importance of ( what one would assume is a similar ) " attitude ” in subcultural style : though the issues of “ aggressive " subcultural resistance and gender including the failings of English ...
... just as it is McRobbie who cites the importance of ( what one would assume is a similar ) " attitude ” in subcultural style : though the issues of “ aggressive " subcultural resistance and gender including the failings of English ...
Seite 91
... developed below — while Greene allegorically links destruction directly to subcultural youth groups . ... curtain " to Burgess - a life he apparently never intended , and would never have conceded a youth subculture could create .
... developed below — while Greene allegorically links destruction directly to subcultural youth groups . ... curtain " to Burgess - a life he apparently never intended , and would never have conceded a youth subculture could create .
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Inhalt
A Special Issue on Music | 3 |
John Cages Aesthetics | 28 |
Theodor W Adorno Jamie Owen Daniel trans | 45 |
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accordance Adorno aesthetic allow American analysis Anderson appears appropriation artist authority avant-garde basic become body Burgess Cage Cocteau collective composer composition construction continuity Creation critical dance discourse effect elements essay experience expressed fact finally force function human images important individual issues jazz John language later literary literature live London Marcus Marxism mass culture material meaning mechanism Milhaud modernist movement narrative nature never Notes novel object once opera oppositions original Paris performance period piece play pleasure Politics popular position Postmodernism practice precisely present production published punk question reality recent reference relations represented rhythm Rock says seems sense sexual shock social society song sound space story structure Studies style subcultural success suggests theory things tion traditional trans University voice woman women writing York youth