Discourse: Journal for Theoretical Studies in Media and Culture, Band 12,Teil 1Indiana University Press, 1989 |
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Seite 17
... objects of his gaze . And no deep knowledge is required simply to grasp the object in its newness , in its ability to disrupt the perceptual patterns of the art world , or to become a defining element of future fashions . The flâneur's ...
... objects of his gaze . And no deep knowledge is required simply to grasp the object in its newness , in its ability to disrupt the perceptual patterns of the art world , or to become a defining element of future fashions . The flâneur's ...
Seite 21
... object , which is nonetheless equally modern , despite its " smallness , " " delicateness , " and " intimacy , " partly because it succeeds in " [ seizing ] the spirit of the age " ( JB 141 , CH 23 ) . Cocteau : “ An artist must swallow ...
... object , which is nonetheless equally modern , despite its " smallness , " " delicateness , " and " intimacy , " partly because it succeeds in " [ seizing ] the spirit of the age " ( JB 141 , CH 23 ) . Cocteau : “ An artist must swallow ...
Seite 48
... object character ( Dingcharakter ) of music , one succumbs to the latest form of Romanticism which , because of its anxiety in the face of the fatal characteristics of capitalism , seeks a despairing way out , in order to affirm the ...
... object character ( Dingcharakter ) of music , one succumbs to the latest form of Romanticism which , because of its anxiety in the face of the fatal characteristics of capitalism , seeks a despairing way out , in order to affirm the ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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