Discourse: Journal for Theoretical Studies in Media and Culture, Band 12,Teil 1Indiana University Press, 1989 |
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Seite 28
... material . But since Cage's own interest in expressivity was likely to impose restrictions and even exclusions among this material , he decided to give up his subjectivity in such a way as to save and even reinforce continuity . Cage ...
... material . But since Cage's own interest in expressivity was likely to impose restrictions and even exclusions among this material , he decided to give up his subjectivity in such a way as to save and even reinforce continuity . Cage ...
Seite 56
... material in order to give rise to a subjective proclamation . The stimulation and the artistic piece , the new color and the new rhythm are merely inserted along with the banal — just as the jazz vibrato is inserted into the rigid sound ...
... material in order to give rise to a subjective proclamation . The stimulation and the artistic piece , the new color and the new rhythm are merely inserted along with the banal — just as the jazz vibrato is inserted into the rigid sound ...
Seite 57
... material is thus in no sense the result of its technical mastery , but , instead , through it , anar- chy intervenes in the process of production . It does not master the original material so much as remain independent of it and its ...
... material is thus in no sense the result of its technical mastery , but , instead , through it , anar- chy intervenes in the process of production . It does not master the original material so much as remain independent of it and its ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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