Discourse: Journal for Theoretical Studies in Media and Culture, Band 12,Teil 1Indiana University Press, 1989 |
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Seite 13
... jazz , stressing that the latter had been exposed mainly to the " distortions and degradations ” of “ commercial counter- feits , " rather than to " authentic jazz ” ( 246 , 251 ) . What are we to say of someone who sang the praises of ...
... jazz , stressing that the latter had been exposed mainly to the " distortions and degradations ” of “ commercial counter- feits , " rather than to " authentic jazz ” ( 246 , 251 ) . What are we to say of someone who sang the praises of ...
Seite 18
... jazz , his underestimation of performance at the expense of composi- tion , his limited exposure to the wide variety of jazz bands , his simplistic schemes of classification ( “ mechanical ” white jazz vs. “ primitive " black jazz ) ...
... jazz , his underestimation of performance at the expense of composi- tion , his limited exposure to the wide variety of jazz bands , his simplistic schemes of classification ( “ mechanical ” white jazz vs. “ primitive " black jazz ) ...
Seite 47
... jazz therefore presents itself to the dialectician as a puzzle . The clear elements of the material which contribute to the solving of this puzzle are as few as the forms which jazz has cultivated . Much of what is accepted as jazz — at ...
... jazz therefore presents itself to the dialectician as a puzzle . The clear elements of the material which contribute to the solving of this puzzle are as few as the forms which jazz has cultivated . Much of what is accepted as jazz — at ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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Häufige Begriffe und Wortgruppen
Adorno aesthetic American anarchistic anarchy Andreas Huyssen artistic audience avant-garde basic Benjamin Boeuf bohemian bourgeois Brighton Rock Burgess Cage's Catherine Clément Chicago chords Clément Clockwork Orange Cocteau commodity composer composition Creation critical cultural studies dance deconstruction détournement Dick Hebdige discourse elements essay everyday expressed film flâneur gender GESTURE BLOCK Greene's harmonic Hebdige Hebdige's images individual intertextual space issues jazz John Cage language Laurie Anderson Lettrist literary literature London MacInnes MacInnes's Mahagonny Marcus mass culture Milhaud Minneapolis Minnesota modern modernist montage movement narrative novel object opera performance piece Politics popular culture popular music Postmodernism postwar practice precisely present production punk reality recent rhythm Rolling Stones Routledge salon music sense Sex Pistols sexual shock Situationist social song SOUND BLOCK Stravinsky style Superman Susan McClary syncopation Tenney theory tion tonal traditional trans University voice Voici le langage woman women York youth subcultures
Bibliografische Informationen
| Titel | Discourse: Journal for Theoretical Studies in Media and Culture, Band 12,Teil 1 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1989 |
| Original von | die University of Virginia |
| Digitalisiert | 9. Nov. 2009 |
| Zitat exportieren | BiBTeX EndNote RefMan |