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Seite 73
on the map as a kind of bogeyman , and in the face of his fear of death , the hero — this " Jim " - discovers “ the laws of human “ happiness ” whose victim he becomes . The turning point , which grotesquely tears the historical ...
on the map as a kind of bogeyman , and in the face of his fear of death , the hero — this " Jim " - discovers “ the laws of human “ happiness ” whose victim he becomes . The turning point , which grotesquely tears the historical ...
Seite 79
... in Marxism and Literature , that " no dominant culture ever in reality includes or exhausts all human practice , human energy , or human intention , ” as embodied in “ emergent , ” oppositional cultures .
... in Marxism and Literature , that " no dominant culture ever in reality includes or exhausts all human practice , human energy , or human intention , ” as embodied in “ emergent , ” oppositional cultures .
Seite 105
... to be mere background — the detail that seems to guarantee the on - site veracity of the ethnographic event being recorded — suddenly looms up to share the frame - with the foregrounded human and then to supplant him altogether .
... to be mere background — the detail that seems to guarantee the on - site veracity of the ethnographic event being recorded — suddenly looms up to share the frame - with the foregrounded human and then to supplant him altogether .
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Inhalt
A Special Issue on Music | 3 |
John Cages Aesthetics | 28 |
Theodor W Adorno Jamie Owen Daniel trans | 45 |
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