Discourse: Journal for Theoretical Studies in Media and Culture, Band 12,Teil 1Indiana University Press, 1989 |
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Seite 47
... facts of the function may be understood as a symbol of a social fact ; the form is dominated by the function and not by an autonomous formal law . It seems to have acknowledged itself as dance music . But at the same time it seems to be ...
... facts of the function may be understood as a symbol of a social fact ; the form is dominated by the function and not by an autonomous formal law . It seems to have acknowledged itself as dance music . But at the same time it seems to be ...
Seite 94
... fact an inversion of sharp dress , pushing neatness to the point of absur- dity , as Hebdige has pointed out . Their finery belied their actual social status : their money came from dead - end employment in service jobs , such as ...
... fact an inversion of sharp dress , pushing neatness to the point of absur- dity , as Hebdige has pointed out . Their finery belied their actual social status : their money came from dead - end employment in service jobs , such as ...
Seite 110
... fact many reviewers of Anderson's work have assumed that she too is merely critiqu- ing the alienating influence of the media on human authen- ticity . " But to interpret her work in terms of that standard dichotomy is to ignore her ...
... fact many reviewers of Anderson's work have assumed that she too is merely critiqu- ing the alienating influence of the media on human authen- ticity . " But to interpret her work in terms of that standard dichotomy is to ignore her ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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Adorno aesthetic American anarchistic anarchy Andreas Huyssen artistic audience avant-garde basic Benjamin Boeuf bohemian bourgeois Brighton Rock Burgess Cage's Catherine Clément Chicago chords Clément Clockwork Orange Cocteau commodity composer composition Creation critical cultural studies dance deconstruction détournement Dick Hebdige discourse elements essay everyday expressed film flâneur gender GESTURE BLOCK Greene's harmonic Hebdige Hebdige's images individual intertextual space issues jazz John Cage language Laurie Anderson Lettrist literary literature London MacInnes MacInnes's Mahagonny Marcus mass culture Milhaud Minneapolis Minnesota modern modernist montage movement narrative novel object opera performance piece Politics popular culture popular music Postmodernism postwar practice precisely present production punk reality recent rhythm Rolling Stones Routledge salon music sense Sex Pistols sexual shock Situationist social song SOUND BLOCK Stravinsky style Superman Susan McClary syncopation Tenney theory tion tonal traditional trans University voice Voici le langage woman women York youth subcultures