Discourse: Journal for Theoretical Studies in Media and Culture, Band 12,Teil 1Indiana University Press, 1989 |
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Seite 46
... basic sound - pattern , just as the syncopation is not allowed to interrupt the basic meter . In Europe the saxophone is considered representative of this sound , the instrument against which the resistance has con- centrated its forces ...
... basic sound - pattern , just as the syncopation is not allowed to interrupt the basic meter . In Europe the saxophone is considered representative of this sound , the instrument against which the resistance has con- centrated its forces ...
Seite 67
... basic models of the " excessive " " hot " subject remain musically completely banal and conventional . For this reason , perhaps , oppressed peoples could be said to be especially well - prepared for jazz . To some extent , they ...
... basic models of the " excessive " " hot " subject remain musically completely banal and conventional . For this reason , perhaps , oppressed peoples could be said to be especially well - prepared for jazz . To some extent , they ...
Seite 130
... basic sociological readings , and some- times like a work of fiction full of coincidences and wordplay , personal passions and tragedies . I read the first half a bit ex- asperated by what seemed a belaboring of the obvious in a highly ...
... basic sociological readings , and some- times like a work of fiction full of coincidences and wordplay , personal passions and tragedies . I read the first half a bit ex- asperated by what seemed a belaboring of the obvious in a highly ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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