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Seite 26
9 Darius Milhaud , Notes without Music , trans . Donald Evans ( New York : Knopf , 1953 ) 118 ( henceforth NWM ) . This is Milhaud's autobiography , not to be confused with Notes sur la musique , which is a collection of his essays .
9 Darius Milhaud , Notes without Music , trans . Donald Evans ( New York : Knopf , 1953 ) 118 ( henceforth NWM ) . This is Milhaud's autobiography , not to be confused with Notes sur la musique , which is a collection of his essays .
Seite 45
... more or less a treatment of a common time as a result of three & three & two eighth - notes , with the accent always on the first note of the group which stands out as a " false " beat ( Scheintakt ) from the principal rhythm ...
... more or less a treatment of a common time as a result of three & three & two eighth - notes , with the accent always on the first note of the group which stands out as a " false " beat ( Scheintakt ) from the principal rhythm ...
Seite 83
It is important to note that a feminist critic makes this point about aggression , just as it is McRobbie who cites the importance of ( what one would assume is a similar ) " attitude ” in subcultural style : though the issues of ...
It is important to note that a feminist critic makes this point about aggression , just as it is McRobbie who cites the importance of ( what one would assume is a similar ) " attitude ” in subcultural style : though the issues of ...
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Inhalt
A Special Issue on Music | 3 |
John Cages Aesthetics | 28 |
Theodor W Adorno Jamie Owen Daniel trans | 45 |
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