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Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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accordance Adorno aesthetic allow American analysis Anderson appears artistic authority avant-garde basic become BLOCK body Burgess Cage Cocteau collective composer composition construction continuity Creation critical dance discourse effect elements essay experience expressed fact finally force function human images important individual issues jazz John language later literary literature live London Marcus Marxism mass culture material meaning mechanism Milhaud modernist movement narrative nature never novel object once opera oppositions original Paris performance period piece play pleasure Politics popular position Postmodernism practice precisely present production published punk question reality recent reference relations represented rhythm Rock says seems sense sexual shock social society song sound space story structure Studies style subcultural success suggests theory things tion traditional trans University voice woman women writing York youth