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Seite 391
The " passion ” is directed toward a “ Mistress ” —a ' man's illicit woman , the woman one loves , ' again from Partridge , again based on usage in the plays ; and he might have cited Sonnets 127.9 and 130.1 .
The " passion ” is directed toward a “ Mistress ” —a ' man's illicit woman , the woman one loves , ' again from Partridge , again based on usage in the plays ; and he might have cited Sonnets 127.9 and 130.1 .
Seite 415
Instead of doing as Ariosto , and as , still more offensively , Wieland has done , instead of degrading and deforming passion into appetite , the trials of love into the struggles of concupiscence ; Shakespeare has here represented the ...
Instead of doing as Ariosto , and as , still more offensively , Wieland has done , instead of degrading and deforming passion into appetite , the trials of love into the struggles of concupiscence ; Shakespeare has here represented the ...
Seite 445
Although the violence of Venus ' passion makes her ludicrous , she is beautiful and attractive rather than grotesque or sinister . She provokes both sympathy and laughter . Adonis ' naïveté is comic , his priggishness repellent , yet he ...
Although the violence of Venus ' passion makes her ludicrous , she is beautiful and attractive rather than grotesque or sinister . She provokes both sympathy and laughter . Adonis ' naïveté is comic , his priggishness repellent , yet he ...
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Inhalt
The Rape of Lucrece | 58 |
Sonnets | 145 |
Venus and Adonis | 405 |
Urheberrecht | |
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Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 10 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361345, 9780810361348 |
| Zitat exportieren | BiBTeX EndNote RefMan |