Film Genre: Hollywood and BeyondEdinburgh University Press, 2005 - 310 Seiten Film Genre: Hollywood and Beyond provides a detailed account of genre history and contemporary trends in film genre, alongside the critical debates they have provoked. The book ranges widely across the field, dealing separately and in detail with not only classic genres - including the Western, the musical, the war film, the gangster film, and film noir - but also more recent trends such as body-horror, Holocaust film, and the action blockbuster. Throughout the book, genre is presented as a constantly evolving phenomenon. Writing in a sophisticated yet accessible style, Barry Langford shows how notions of genre help shape the ways that filmmakers, critics and audiences view films and how the often complex scholarly debates around genre reflect important differences in the ways cinema is understood in relation to its social and historical contexts. The book encourages students to interrogate and broaden received ideas about genre.Key Features*Key text suitable for both undergraduate and advanced students*Detailed close analyses of key films (including The Matrix, Saving Private Ryan and Singin' in the Rain)*Comprehensive bibliography and guide to further reading*Up-to-date and theoretically informed |
Im Buch
Ergebnisse 1-3 von 20
Seite 66
... theme . With these three films , the elegiac strain present from the Western's inception emerged as the dominant theme of the decades during which the genre itself experienced its most marked and seemingly terminal decline . The ' end ...
... theme . With these three films , the elegiac strain present from the Western's inception emerged as the dominant theme of the decades during which the genre itself experienced its most marked and seemingly terminal decline . The ' end ...
Seite 112
... themes during the late 1930s , mindful of the still - fragile state of its finances in the lingering Depression , its ... theme of ' conversion ' emerged as central to the wartime film industry , both as narrative template of war ...
... themes during the late 1930s , mindful of the still - fragile state of its finances in the lingering Depression , its ... theme of ' conversion ' emerged as central to the wartime film industry , both as narrative template of war ...
Seite 138
Hollywood and Beyond Barry Langford. -- of the dominant themes of silent - era gangster films was the concept of ... theme that starts to look like the mainstream generic tradition and the titanic Scarface- style individualist the ...
Hollywood and Beyond Barry Langford. -- of the dominant themes of silent - era gangster films was the concept of ... theme that starts to look like the mainstream generic tradition and the titanic Scarface- style individualist the ...
Inhalt
Melodrama | 29 |
Genre and History | 54 |
Genre and Form | 82 |
Urheberrecht | |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action blockbuster action film American argues audience central Chapter characterised characters classic Hollywood clearly combat films contemporary contexts conventions critical cultural cycle depiction documentary dominant dramatic early elements example fantasy feature film genre film industry film noir film-makers film's frontier gangster film genre films genre's historical Hollywood genre Holocaust horror film identified ideological increasingly integrated integrated musical Josey mainstream major male masculine melodrama mode monster motifs movie musical numbers myth narrative national cinemas Neale neo-noirs noir's notably notes performance period political popular porn post-classical postmodern postwar production protagonists realism reality release rendered Ringu Saving Private Ryan Scarlet Street Schindler's List science fiction Second World Second World War sequence sexual SF films SF's shot silent Singin social spectator Star Wars studies style stylistic suggests textual thematic thriller traditional urban Vietnam violence visual war film Western woman's film World War combat