The Art of the Film: An Introduction to Film Appreciation

action actor appear artist Battleship Potemkin camera cameraman celluloid character Charles Peace cinema cinematograph cinematograph film close shot close-up colour commentary continuous creative D. W. Griffith device dialogue directed director DISSOLVE documentary documentary films dramatic Ealing Studios editing effect Eisenstein example eyes fact fiction film film music Film Technique film-maker follows frames Ghost Goes West give hand hear idea impression John Grierson joined kind Kinetoscope La Bête Humaine lens light long shot looking MALLENS material means MEDIUM SHOT ment mind movement moving negative non-actor normally optical Paul Muni photographic picture piece PIMLICO SQUARE play plot-theme position possible producer projection projector Pudovkin record reel relationship reproduced scene screen script script-writer sequence shooting showing shown silent film single sound film sound-track spectator speed stage story studio succession technicians theme tion track visual whole word