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The uncountable dead that we have become used to seeing in the news as well as in war and crime movies will remain unaccounted for . he tion of formerly repressed memories . They “ work through Spring - Summer 1987 81.
The uncountable dead that we have become used to seeing in the news as well as in war and crime movies will remain unaccounted for . he tion of formerly repressed memories . They “ work through Spring - Summer 1987 81.
Seite 82
tion of formerly repressed memories . They “ work through ” the incapacity of mourning or even recreate “ mournable death . ” It is , then , not the technical media as such but the cultural tendency to mistake the order of the media for ...
tion of formerly repressed memories . They “ work through ” the incapacity of mourning or even recreate “ mournable death . ” It is , then , not the technical media as such but the cultural tendency to mistake the order of the media for ...
Seite 121
a tion of aesthetic objects . In moving their bodies to enact the perspectival options of The Ambassadors , the viewers transfer art from canvas to spectatorial and performative space , thus realizing the side and split visions of the ...
a tion of aesthetic objects . In moving their bodies to enact the perspectival options of The Ambassadors , the viewers transfer art from canvas to spectatorial and performative space , thus realizing the side and split visions of the ...
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The Hazards of an Ecological | 4 |
DISCOURSE | 6 |
Situating Postmodernism Within | 24 |
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