Roman Shakespeare: Warriors, Wounds and WomenRoutledge, 15.04.2013 - 208 Seiten In the first full-length study of Shakespeare's Roman plays, Coppélia Kahn brings to these texts a startling, critical perspective which interrogates the gender ideologies lurking behind 'Roman virtue'. |
Inhalt
1 Roman Virtue on English Stages | 1 |
2 The Sexual Politics of Subjectivity in Lucrece | 27 |
3 The Daughters Seduction in Titus Andronicus or Writing is the Best Revenge | 46 |
4 Mettle and Melting Spirits in Julius Caesar | 77 |
5 Antonys Wound | 110 |
Volumnia and Her Son in Coriolanus | 144 |
Cymbeline Paying Tribute to Rome | 160 |
| 171 | |
| 185 | |
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Häufige Begriffe und Wortgruppen
action Adelman Aeneid Andronicus Antony and Cleopatra Antony’s argues bleeding blood body Britain Brutus Brutus’s Cassius Cato Cato’s character chastity conspirators constancy construction contrast Coriolanus cultural Cymbeline daughter death defeat difference discourse dominant dramatic emulation English Eros evokes exemplars father female feminine feminist feminist criticism feminized fetish gender hand hero’s heroic homosocial honor husband identified identity ideology Imogen Julius Caesar Kahn kill Latin Lavinia Livy Livy’s Lucrece Lucrece’s male man’s manly virtue martial masculine maternal means metaphor mother murder Ovid Ovid’s patriarchal Philomel play’s Plutarch poem political Pompey Portia Posthumus Procne queen rape Renaissance republic republican revenge rhetoric rival rivalry role Roman history Roman plays Rome Rome’s says scene sense sexual Shakespeare Shakespeare’s Roman shame signifier social sons story suggests suicide sword symbolic Tamora Tarquin Tereus theatre thou Titus Titus Andronicus Titus’s Verginia Vesta Volumnia warrior woman womb women wound