well; Anth. Fy, fy ! Sola. Not in love neither! Then let's say you're sad, Because you are not merry; and 'cwere as easy For you to laugh and leap, and say, you're merry, Because you are not sad. Now, by two headed Janus, Nature hath fram'd strange fellows, in her time: Some that will evermore peep through their eyes, And laugh, like parrots at a bag piper; And others of such vinegar aspect, That they'll not thew their teeth in way of smile, Though Neftor swear the jest be laughable. Enter BASSANIO, Lorenzo, and GRATIANO. Sal. Here comes Bafanio, your most noble kinsman, Grariano and Lorenzo. Fare ye We leave you now with better company. Sola. I would have ftuid till I had made you merry, If worthier, friends had not prevented me. Anth. Your worth is very dear in my regard.: Sal. Good-morrow, my good lords. Say, when? Sal. We'll make our leifures to attend on yours. Gra. You look not well, lignior Anthonio, Anih. I hold the world but as the world, Gratiano, Gra. Let me play the fool. * This is a very pleasant fignificant satirical rhapsody, rather difficule to speak with propriety, the ideas C inveyed in ic being obscure, and the file of expression peculiar. And A 3 And let my liver rather heat with wine, Lor. Well, we will leave you then, 'rill dinner. I must be one of these fame dumb wise men; [time. For Gratiano never lets me speak. Gra. Well, keep me company but two years more, Thou shalt not know the sound of thine own tongue, Anth. Farewel ; I'll grow a talker. for this gear. mendable, In a neat's tongue dry'd, and a maid not vendible. [Exeunt Gra. and Loren. Antb. Is that any thing, now? Bal. Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat, hid in two bushels of chaff; you shall seek, all day, ere you find them, and when you have them, they are not worth the search.* * Baffanio's remark of the grains of wheat and chaff, is compactly pregnant with just satire, upon all those who prate much very little purpose. Antb. Aneb. Well, tell me now, what lady is the samer Bal. 'Tis not unknown to you, Anthonio, Anib. I pray you, good Bafanio, let me know it Ball. In my school days, when I had lost one shaft, I shot his fellow, of the self same Alight, The self-fame way, with more advised watch, To find the other forth ; by vent'ring both, I oft found both. I urge this childhood proof, Because what follows is pure innocence. I owe you much, and, like a wilful youth, That which I owe is loft ; but if you please To shoot another arrow that self way, :: Which you did shoot the first, I do not doubt, As I will watch the aim, or to find both, Or bring your latter hazard back again, And thankfully reft debtor for the firt.* Anth You know me well; and herein spend but To wind about my love with circumstance ; [time, + Bastanio's method of opening his case to Anthonio, is mo deftly sensible, well conceived, and prettily vorded, I This ready and generous ftretch of credit, to serve a friend, gives us a mott amiable idea of Anchonio's character, and leads on to the plot, agreeably. • The idea of fhurting one arrow at random, to find another that has been lott, though buyish, is introduced here with much care and propriety of application. And 2 And out of doubt, you do me now more wrong, Ball. In Belmont is a lady, richly left, Anth. Thou know'st, that all my fortunes are at Nor have money, nor commodity, [sea, To raise a present fum ; therefore, go forth ; Try what my credit can in l'enice do ; That shall be rack’d, even to the uttermot, To furnith thee to Belmont, to fair Portia. Go, presently inquire, and so will l, Where money is; and I no question make, To have it of my trust, or for my sake. {Exeunt. SCEN E changes to Portia's House in Belmont. A grand Saloon. Three Caskers are set out, one of Gold, another of Silver, and another of Lead. Enter Portia and NERISSA. Por. By my troth, Nerila, my little body is weary of this great world. Ner. You would besweet madam, if your miseries were in the same abundance; as your good fortunes“? are; and yet, for ought I fee, they are as fick, that Surfeit with too much, as they that starve with no... thing i thing; therefore, it is no mean happiness to be seated in the mean. Superfluity comes fooner by white hairs, but competency lives longer. Por. Good sentences, and well pronounc'd. Por. If to do, were as easy as to know what were good to do, chapels had been churches, and poor men's cottages, princes' palaces. He is a good divine, that follows his own instructions; I can easier teach twenty what were good to be done, than to be one of the twenty to follow my own teaching. But this reasoning is not in fashion, to chule me a husband. O me, the word, chule! I may neither chuse whom I would, nor refuse whom I dillike; fo is the will of a living daughter, curb’d by the will of a dead father. Is it not hard, Nerija, that I cannot chufe one, nor refufe none ? Ner. Your father was ever virtuous, and holy men, at their death, have good inspirations : therefore the lottery that he hath deviled, in thefe thrée chests of gold, silver, and lead, (whereof who chufes his meaning, chuses you) will no doubt never be chosen by any, rightly, but one who shall rightly love. But what warmth is there in your affe&tion towards any of these princely suitors, that are al. ready come? Por. I pray thee, over-name them, and as thou nam'it them, I will describe them; and, according to my description, level at my affection. Ner. First, there is the Neapolitan prince. Por. Ay, that's a dolt, indeed, for he doth nothing but talk of his horse ; and he makes it a great appropriation to his own good parts, that he can thoe him, himfelf; I am much afraid, my lady, his mother, play'd false with a smith. Ner. Then, there is the count Palatine. Por. He doth nothing bụt frown, as who hould fay, if you will not have me, chuse: he hears merry tales, and smiles not: I fear he will prove the weeping philosopher, when he grows old, being fo fuil of unmannerly ladness in his youth. I had rather be married to a death's head with a bone in his mouth, |