Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 30,Ausgaben 1-2Indiana University Press, 2008 |
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Seite 9
... atone , says Leavey : Translations never begin , not because they are secondary , not because they imply for too many of us at least the virtuality of the original , but because they are never at one , they never atone . Neither for a ...
... atone , says Leavey : Translations never begin , not because they are secondary , not because they imply for too many of us at least the virtuality of the original , but because they are never at one , they never atone . Neither for a ...
Seite 62
... atone . I cannot always know what language is being rendered here or what viewpoint . No matter the language or point of view , there is no mourning in atone- ment . Qu'est - ce qui arrive ? The eventuality and atonement of transla ...
... atone . I cannot always know what language is being rendered here or what viewpoint . No matter the language or point of view , there is no mourning in atone- ment . Qu'est - ce qui arrive ? The eventuality and atonement of transla ...
Seite 65
... atone . Nei- ther for a fall from pure language or to language . Against the fall , the case of the fall , the fall of the signature , of some sort of sin , fault , deficit , excrement of the creaturely state , the translation erects ...
... atone . Nei- ther for a fall from pure language or to language . Against the fall , the case of the fall , the fall of the signature , of some sort of sin , fault , deficit , excrement of the creaturely state , the translation erects ...
Inhalt
Jacques Derrida Allegorical Portrait | 21 |
Jacques Derrida translation by Eric Prenowitz | 35 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Urheberrecht | |
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