Language and Verbal Art Revisited: Linguistic Approaches to the Study of LiteratureDonna R. Miller, Monica Turci Equinox, 2007 - 287 Seiten This volume, meant for both specialists and non-specialists, will appeal to both the growing number of scholars working in, and students needing to investigate, the field of literary linguistics, or stylistics. Inspired by Ruqaiya Hasan's conviction that, [...] in verbal art the role of language is central. Here language is not as clothing to the body; it IS the body." (1985/1989: 91), the papers are on a wide variety of aspects of the language-literature connection, and approach it from diverse perspectives and methodological frameworks, including Systemic Functional Linguistics, pragmatics, corpus linguistics, ethnolinguistics, cultural and translation studies. A wide range of literary genres and world literatures are analyzed, including Shakespeare's plays; modern Austrian authors writing in German (e.g., Thomas Bernhard); Perrault's Histoires et contes du temps passé and their translations by Angela Carter; the Spanish poets of the Generación del '50; Malaysian-Singaporean poets in English; Anglo-American Modernist poets (Frost, Stevens, Pound and Lawrence) and novelists (Woolf and Conrad); a short story by Marina Warner and Turkish-German narrative by Feridun Zamo?lu; The Gospel of St. John and Harry Potter. Separate introductions to each of the contributions seek to guide above all the non-specialist reader by describing and comparing the frameworks that the volume comprises. A general introduction diachronically traces key moments in the development of the study of the language of literature seen as socio-cultural practice. |
Im Buch
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... dark above Gravesend , and farther en on ' Change ; captains , admirals , the dark " interlopers " of the Eastern Marlow suddenly , " has been one of the dark places of the earth . " He was ong as the old earth keeps rolling ! But darkness ...
... dark , so impenetrable to human 2 . s , were poured into the clearing by the dark - faced and pensive forest . 3 . 4 . 5 . 6 . 7 . ng , the eyes of that apparition shining darkly far in ... dark * ' in Joseph Conrad's Heart of Darkness 103.
... dark * in the three instal- ments ( the numbers refer to the concordance lines in the tables above ) The first instalment opens with an ambiguous use of the epithet ' dark ' , in that ... dark * ' in Joseph Conrad's Heart of Darkness 105.
Inhalt
Introduction | 1 |
reflections on | 13 |
grammatical | 41 |
Urheberrecht | |
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