Language and Verbal Art Revisited: Linguistic Approaches to the Study of LiteratureThis volume, meant for both specialists and non-specialists, will appeal to both the growing number of scholars working in, and students needing to investigate, the field of literary linguistics, or stylistics. Inspired by Ruqaiya Hasan's conviction that, [] in verbal art the role of language is central. Here language is not as clothing to the body; it IS the body (1985/1989: 91), the papers are on a wide variety of aspects of the language-literature connection, and approach it from diverse perspectives and methodological frameworks, including Systemic Functional Linguistics, pragmatics, corpus linguistics, ethnolinguistics, cultural and translation studies. A wide range of literary genres and world literatures are analyzed, including Shakespeare's plays; modern Austrian authors writing in German (e.g., Thomas Bernhard); Perrault's Histoires et contes du temps pass? and their translations by Angela Carter; the Spanish poets of the Generaci'n del '50; Malaysian-Singaporean poets in English; Anglo-American Modernist poets (Frost, Stevens, Pound and Lawrence) and novelists (Woolf and Conrad); a short story by Marina Warner and Turkish-German narrative by Feridun Zamolu; The Gospel of St. John and Harry Potter. Separate introductions to each of the contributions seek to guide above all the non-specialist reader by describing and comparing the frameworks that the volume comprises. A general introduction diachronically traces key moments in the development of the study of the language of literature seen as socio-cultural practice. |
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Seite 117
Rather , the purpose here is to provide corpus evidence of how , and with what
frequency , this linguistic device actually occurs . The data presented will be
related to how the authors of the works of verbal art considered use projection
within ...
Rather , the purpose here is to provide corpus evidence of how , and with what
frequency , this linguistic device actually occurs . The data presented will be
related to how the authors of the works of verbal art considered use projection
within ...
Seite 185
However , a text considered as discourse cannot be reduced to the dynamics of
internal textual relations . Each text is shaped by the act of utterance and its
dialogic nature , as Bakhtin points out : ' In reality [ . . . ] any utterance , in addition
to its ...
However , a text considered as discourse cannot be reduced to the dynamics of
internal textual relations . Each text is shaped by the act of utterance and its
dialogic nature , as Bakhtin points out : ' In reality [ . . . ] any utterance , in addition
to its ...
Seite 260
It is in this way that poetry can be considered a kind of knowledge , or
understanding . The idea may seem to us to be overly subjective , but Biedma
elsewhere states the view that art is objective , especially if considered from the
reader ' s ...
It is in this way that poetry can be considered a kind of knowledge , or
understanding . The idea may seem to us to be overly subjective , but Biedma
elsewhere states the view that art is objective , especially if considered from the
reader ' s ...
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Inhalt
Contents | 1 |
grammatical | 41 |
examples from | 68 |
Urheberrecht | |
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