Language and Verbal Art Revisited: Linguistic Approaches to the Study of LiteratureDonna R. Miller, Monica Turci Equinox, 2007 - 287 Seiten This volume, meant for both specialists and non-specialists, will appeal to both the growing number of scholars working in, and students needing to investigate, the field of literary linguistics, or stylistics. Inspired by Ruqaiya Hasan's conviction that, [...] in verbal art the role of language is central. Here language is not as clothing to the body; it IS the body." (1985/1989: 91), the papers are on a wide variety of aspects of the language-literature connection, and approach it from diverse perspectives and methodological frameworks, including Systemic Functional Linguistics, pragmatics, corpus linguistics, ethnolinguistics, cultural and translation studies. A wide range of literary genres and world literatures are analyzed, including Shakespeare's plays; modern Austrian authors writing in German (e.g., Thomas Bernhard); Perrault's Histoires et contes du temps passé and their translations by Angela Carter; the Spanish poets of the Generación del '50; Malaysian-Singaporean poets in English; Anglo-American Modernist poets (Frost, Stevens, Pound and Lawrence) and novelists (Woolf and Conrad); a short story by Marina Warner and Turkish-German narrative by Feridun Zamo?lu; The Gospel of St. John and Harry Potter. Separate introductions to each of the contributions seek to guide above all the non-specialist reader by describing and comparing the frameworks that the volume comprises. A general introduction diachronically traces key moments in the development of the study of the language of literature seen as socio-cultural practice. |
Im Buch
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... characters are winds , little airs , and sliding lights , and the news of the death of the main character of the ... characters interacting mainly in silence , without saying what they might have said . This is true both for Lily , who ...
... character while at the same time remaining the narrator : in these cases grammatical projection is not used to introduce the words and thoughts of the characters . We thus get , instead of projections of the characters ' thoughts ...
... characters ' thoughts and attitudes through , and mixed with , the voice of the narrator . The parataxis in the Gospel and in Harry Potter is direct report , with the inverted commas , and therefore the character's voice is made to be ...
Inhalt
Introduction | 1 |
reflections on | 13 |
grammatical | 41 |
Urheberrecht | |
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