Language and Verbal Art Revisited: Linguistic Approaches to the Study of LiteratureDonna R. Miller, Monica Turci Equinox, 2007 - 287 Seiten This volume, meant for both specialists and non-specialists, will appeal to both the growing number of scholars working in, and students needing to investigate, the field of literary linguistics, or stylistics. Inspired by Ruqaiya Hasan's conviction that, [...] in verbal art the role of language is central. Here language is not as clothing to the body; it IS the body." (1985/1989: 91), the papers are on a wide variety of aspects of the language-literature connection, and approach it from diverse perspectives and methodological frameworks, including Systemic Functional Linguistics, pragmatics, corpus linguistics, ethnolinguistics, cultural and translation studies. A wide range of literary genres and world literatures are analyzed, including Shakespeare's plays; modern Austrian authors writing in German (e.g., Thomas Bernhard); Perrault's Histoires et contes du temps passé and their translations by Angela Carter; the Spanish poets of the Generación del '50; Malaysian-Singaporean poets in English; Anglo-American Modernist poets (Frost, Stevens, Pound and Lawrence) and novelists (Woolf and Conrad); a short story by Marina Warner and Turkish-German narrative by Feridun Zamo?lu; The Gospel of St. John and Harry Potter. Separate introductions to each of the contributions seek to guide above all the non-specialist reader by describing and comparing the frameworks that the volume comprises. A general introduction diachronically traces key moments in the development of the study of the language of literature seen as socio-cultural practice. |
Im Buch
Ergebnisse 1-3 von 83
... form of imbalance . If the first stage is one of terror , fear and conspiracy , the second is like being in the land ... forms of excess , allowing life to resume a stable existence . To see symbolic articulation at work , we examine the ...
... form . ( 1913 , in Zytaruk and Boulton , 1981 : 102-104 ) -- - Pace Lawrence , it is my contention that this emotional pattern is retrievable precisely because it has been made visible in the grammatical patterning , i.e. the ' obvious form ...
... form of the verb ' to be ' is explicit . Four of these are the bare infinitive and correspond to 4 of the 7 imperatives of the poem . This is the foregrounded mood , what I will call , despite their coercive form , rhetorical ...
Inhalt
Introduction | 1 |
reflections on | 13 |
grammatical | 41 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.