Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 21,Ausgabe 1Indiana University Press, 1999 |
Im Buch
Ergebnisse 1-3 von 24
Seite 37
... never untied . Dramatic positivity is canceled , and instead of the body we expected to be fished out of the river , an urn emerges , the fleeting , pathetic sign of a democracy that was known to be if not drowned , murdered , then at ...
... never untied . Dramatic positivity is canceled , and instead of the body we expected to be fished out of the river , an urn emerges , the fleeting , pathetic sign of a democracy that was known to be if not drowned , murdered , then at ...
Seite 82
... never have been a self ( soi ) fixed in a position of spectator , because a subject is never but the acute and tenuous point of a forward movement ( avancée ) that precedes itself indefinitely . The subject has not project , it does not ...
... never have been a self ( soi ) fixed in a position of spectator , because a subject is never but the acute and tenuous point of a forward movement ( avancée ) that precedes itself indefinitely . The subject has not project , it does not ...
Seite 165
... never able to resume the shooting of Time of Maturity . I shot a short about the second Teheran Film Festival , about the poor , those who know nothing about the festival . The film was macabre ; the director had asked me to make a ...
... never able to resume the shooting of Time of Maturity . I shot a short about the second Teheran Film Festival , about the poor , those who know nothing about the festival . The film was macabre ; the director had asked me to make a ...
Inhalt
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actors Ahmed Kamal Akhenaton al-Khayal appears approaches Arab arabesque artists Ash'arite Ashik Kerib asked atomism Ayyub Brother Cahiers du cinéma Cairo calligraphy camera character Chekhov child cinema color continues culture dark dead dhikr disappears distance dream Dynasty Effendies Egypt Egyptian El-Badawy empty eyes face father feel figures film filmmaker gaze guards halts hand Ibn al-'Arabi imagination interpretation Iran Iranian Iraqi Islamic Jacob Joseph jump cuts letter live Maspero Moslem Mother mountain moves Muḥammad mummies Murad narrative papyrus Paradjanov's passes Pharaoh present prophet Qur'ān reality Relative Saless sarcophagus Sayat Nova Scene script Selim shadow shoot shot silence Sohrab Shahid Saless someone sound story Stranger Sufi television tell temporal thee thing thought thoughtfully Titus Burckhardt Toba Khedoori tomb tribe turns round Uncle village visual Voice walks Wanys Wanys looks Wanys stands woman word Zyna