Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 21,Ausgabe 1Indiana University Press, 1999 |
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Seite 63
... direction of the gaze in Parad- janov's films is not toward the spectator ( whether in a reflexive or interactive manner ) , but ontologically toward the nothingness from which the figure is released and to which he or she then ...
... direction of the gaze in Parad- janov's films is not toward the spectator ( whether in a reflexive or interactive manner ) , but ontologically toward the nothingness from which the figure is released and to which he or she then ...
Seite 78
... direction ( in the film people ceaselessly look for directions ) , that is not really a path , not really a journey , but a traversal without attributable borders , hence , without discontinuous markers , a traversal that only passes ...
... direction ( in the film people ceaselessly look for directions ) , that is not really a path , not really a journey , but a traversal without attributable borders , hence , without discontinuous markers , a traversal that only passes ...
Seite 86
... direction of the phantasm , or of imagery ; it may seek a “ visionary " quality or to be formally “ visual . ” But just as none of these orientations ever subsists in its pure and simple state ( or else , it's a failure , a maniacal ...
... direction of the phantasm , or of imagery ; it may seek a “ visionary " quality or to be formally “ visual . ” But just as none of these orientations ever subsists in its pure and simple state ( or else , it's a failure , a maniacal ...
Inhalt
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Urheberrecht | |
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actors Ahmed Kamal Akhenaton al-Khayal appears approaches Arab arabesque artists Ash'arite Ashik Kerib asked atomism Ayyub Brother Cahiers du cinéma Cairo calligraphy camera character Chekhov child cinema color continues culture dark dead dhikr disappears distance dream Dynasty Effendies Egypt Egyptian El-Badawy empty eyes face father feel figures film filmmaker gaze guards halts hand Ibn al-'Arabi imagination interpretation Iran Iranian Iraqi Islamic Jacob Joseph jump cuts letter live Maspero Moslem Mother mountain moves Muḥammad mummies Murad narrative papyrus Paradjanov's passes Pharaoh present prophet Qur'ān reality Relative Saless sarcophagus Sayat Nova Scene script Selim shadow shoot shot silence Sohrab Shahid Saless someone sound story Stranger Sufi television tell temporal thee thing thought thoughtfully Titus Burckhardt Toba Khedoori tomb tribe turns round Uncle village visual Voice walks Wanys Wanys looks Wanys stands woman word Zyna