Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 21,Ausgabe 1Indiana University Press, 1999 |
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Ergebnisse 1-3 von 16
Seite 42
... camera can do by filming space : the eye offers the imagination a reality in the process of transforming itself , evolving , in the silence inhabited by natural music . Thus does the eye enter the daily life of a Syrian village , Mawal ...
... camera can do by filming space : the eye offers the imagination a reality in the process of transforming itself , evolving , in the silence inhabited by natural music . Thus does the eye enter the daily life of a Syrian village , Mawal ...
Seite 63
... camera not only with the particular frontality produced by the jump cuts — one that applies even when the figure in both shots is in profile — it is because he places the camera in the non - localizable , non - spatial direction in ...
... camera not only with the particular frontality produced by the jump cuts — one that applies even when the figure in both shots is in profile — it is because he places the camera in the non - localizable , non - spatial direction in ...
Seite 71
... camera motion , but pushes the motion in the latter to a more basic level . To someone who senses the perpetual appearances - disappearances in his later films , even the exacerbated camera motion in Shadows seems tame . Atomic ...
... camera motion , but pushes the motion in the latter to a more basic level . To someone who senses the perpetual appearances - disappearances in his later films , even the exacerbated camera motion in Shadows seems tame . Atomic ...
Inhalt
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Urheberrecht | |
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actors Ahmed Kamal Akhenaton al-Khayal appears approaches Arab arabesque artists Ash'arite Ashik Kerib asked atomism Ayyub Brother Cahiers du cinéma Cairo calligraphy camera character Chekhov child cinema color continues culture dark dead dhikr disappears distance dream Dynasty Effendies Egypt Egyptian El-Badawy empty eyes face father feel figures film filmmaker gaze guards halts hand Ibn al-'Arabi imagination interpretation Iran Iranian Iraqi Islamic Jacob Joseph jump cuts letter live Maspero Moslem Mother mountain moves Muḥammad mummies Murad narrative papyrus Paradjanov's passes Pharaoh present prophet Qur'ān reality Relative Saless sarcophagus Sayat Nova Scene script Selim shadow shoot shot silence Sohrab Shahid Saless someone sound story Stranger Sufi television tell temporal thee thing thought thoughtfully Titus Burckhardt Toba Khedoori tomb tribe turns round Uncle village visual Voice walks Wanys Wanys looks Wanys stands woman word Zyna