The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming

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Richard Charles Boulanger, Professor of Electronic Production and Design Richard Boulanger
MIT Press, 2000 - 740 Seiten
Table of Contents Foreword Barry Vercoe Preface Max Mathews Acknowledgments Introduction How to Use This Book Software Synthesis Csound Fundamentals 1. Introduction to Sound Design in Csound Richard Boulanger 2. Understanding and Using Csound's GEN Routines Jon Christopher Nelson 3. What Happens When You Run Csound John ffitch 4. Optimizing Your Csound Instruments Paris Smaragdis 5. Using Csound's Macro Language Extension John ffitch Imitative Synthesis 6. Designing Acoustically Viable Instruments in Csound Stephen David Beck 7. Designing Legato Instruments in Csound Richard Dobson 8. ContiguousGroup Wavetable Synthesis of the French Horn in Csound Andrew Horner and Lydia Ayers 9. FM Synthesis and Morphing in Csound: from Percussion to Brass Brian Evans 10. Modeling "Classic" Electronic Keyboards in Csound Hans Mikelson Algorithmic Synthesis 11. A Survey of Classic Synthesis Techniques in Csound Rajmil Fischman 12. FM Synthesis in Csound Russell Pinkston 13. Granular Synthesis in Csound Allan S.C. Lee 14. FOF and FOG Synthesis in Csound Michael Clarke 15. Processing Samples with Csound's FOF Opcode Per Byrne Villez Mathematical Models 16. A Look at Random Numbers, Noise, and Chaos with Csound John ffitch 17. Constrained Random Event Generation and Retriggering in Csound Russell Pinkston 18. Using Global Csound Instruments for MetaParameter Control Martin Dupras 19. Mathematical Modeling withCsound: From Waveguides to Chaos Hans Mikelson Signal Processing Understanding Signal Processing through Csound 20. An Introduction to Signal Processing with Csound Erik Spjut 21. Understanding Csound's Spectral Data Types Barry Vercoe Delay, Chorus, Reverberation, and 3D Audio 22. Using Csound to Understand Delay Lines and Their Applications Russell Pinkston 23. An Introduction to Reverberation Design with Csound Eric Lyon 24. Implementing the Gardner Reverbs in Csound Hans Mikelson 25. Csoundbased Auditory Localization Eli Breder and David McIntyre Working with Csound's Signal Processing Utilities 26. Convolution in Csound: Traditional and Novel Applications Erik Spjut 27. Working with Csound's ADSYN, LPREAD, and LPRESON Opcodes Magdalena Klapper 28. Csound's Phase Vocoder and Extensions Richard Karpen Modeling Commercial Signal Processing Applications 29. Efficient Implementation of Analog Waveshaping in Csound Michael Pocino 30. Modeling a Multieffects Processor in Csound Hans Mikelson Programming Adding Opcodes 31. Extending Csound John ffitch 32. Adding New Unit Generators to Csound Marc Resibois Appendixes 1. List of the Csound Book Chapter Instruments 2. Recommended Reading 3. Recommended Listening 4. Sound Intensity and Formants 5. Pitch Conversion 6. Csound's Error Messages 7. Csound Quick Reference Index.
 

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Inhalt

Introduction to Sound Design in Csound
5
A Production Interface to Csound
11
SpatializationStereo and Ambisonic
23
The Csound SuperSamplerSequencer
38
CDROM Tutorials
44
Optimizing Your Csound Instruments
123
Using Csounds Macro Language Extensions
137
Designing Acoustically Viable Instruments in Csound
155
An Introduction to Signal Processing with Csound
389
Understanding Csounds Spectral Data Types
437
Using Csound to Understand Delay Lines and Their Applications
451
An Introduction to Reverberation Design with Csound
467
Implementing the Gardner Reverbs in Csound
483
Csoundbased Auditory Localization
493
Spare Luxury
575
Extending Csound
599

Designing Legato Instruments in Csound
171
ContiguousGroup Wavetable Synthesis of the French Horn
187
Modeling Classic Electronic Keyboards in Csound
207
A Survey of Classic Synthesis Techniques in Csound
223
FM Synthesis in Csound
261
Granular Synthesis in Csound
281
CDROM Music
282
Processing Samples with Csounds FOF Opcode
307
Adding New Unit Generators to Csound
613
List of the Csound Book Chapter Instruments
637
Recommended Reading
645
Recommended Listening
647
Csounds Error Messages
663
Csound Quick Reference
701
Index
727
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Über den Autor (2000)

Richard Boulanger is Professor of Electronic Production and Design at the Berklee College of Music and editor of The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming (MIT Press, 2000).

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