The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming

Cover
Richard Charles Boulanger
MIT Press, 2000 - 740 Seiten
5 Rezensionen
Table of Contents

Foreword
Barry Vercoe
Preface
Max Mathews
Acknowledgments
Introduction
How to Use This Book
Software Synthesis
Csound Fundamentals
1. Introduction to Sound Design in Csound
Richard Boulanger
2. Understanding and Using Csound's GEN Routines
Jon Christopher Nelson
3. What Happens When You Run Csound
John ffitch
4. Optimizing Your Csound Instruments
Paris Smaragdis
5. Using Csound's Macro Language Extension
John ffitch
Imitative Synthesis
6. Designing Acoustically Viable Instruments in
Csound
Stephen David Beck
7. Designing Legato Instruments in Csound
Richard Dobson
8. ContiguousGroup Wavetable Synthesis of the French
Horn in Csound
Andrew Horner and Lydia Ayers
9. FM Synthesis and Morphing in Csound: from Percussion
to Brass
Brian Evans
10. Modeling "Classic" Electronic Keyboards in
Csound
Hans Mikelson
Algorithmic Synthesis
11. A Survey of Classic Synthesis Techniques in
Csound
Rajmil Fischman
12. FM Synthesis in Csound
Russell Pinkston
13. Granular Synthesis in Csound
Allan S. C. Lee
14. FOF and FOG Synthesis in Csound
Michael Clarke
15. Processing Samples with Csound's FOF Opcode
Per Byrne Villez
Mathematical Models
16. A Look at Random Numbers, Noise, and Chaos with
Csound
John ffitch
17. Constrained Random Event Generation and Retriggering
in Csound
Russell Pinkston
18. Using Global Csound Instruments for MetaParameter
Control
Martin Dupras
19. Mathematical Modeling withCsound: From Waveguides
to Chaos
Hans Mikelson
Signal Processing
Understanding Signal Processing through Csound
20. An Introduction to Signal Processing with Csound
Erik Spjut
21. Understanding Csound's Spectral Data Types
Barry Vercoe
Delay, Chorus, Reverberation, and 3D Audio
22. Using Csound to Understand Delay Lines and Their
Applications
Russell Pinkston
23. An Introduction to Reverberation Design with
Csound
Eric Lyon
24. Implementing the Gardner Reverbs in Csound
Hans Mikelson
25. Csoundbased Auditory Localization
Eli Breder and David McIntyre
Working with Csound's Signal Processing Utilities
26. Convolution in Csound: Traditional and Novel
Applications
Erik Spjut
27. Working with Csound's ADSYN, LPREAD, and LPRESON
Opcodes
Magdalena Klapper
28. Csound's Phase Vocoder and Extensions
Richard Karpen
Modeling Commercial Signal Processing Applications
29. Efficient Implementation of Analog Waveshaping in
Csound
Michael Pocino
30. Modeling a Multieffects Processor in Csound
Hans Mikelson
Programming
Adding Opcodes
31. Extending Csound
John ffitch
32. Adding New Unit Generators to Csound
Marc Resibois
Appendixes
1. List of the Csound Book Chapter Instruments
2. Recommended Reading
3. Recommended Listening
4. Sound Intensity and Formants
5. Pitch Conversion
6. Csound's Error Messages
7. Csound Quick Reference
Index.
 

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Inhalt

Introduction to Sound Design in Csound
5
A Production Interface to Csound
11
SpatializationStereo and Ambisonic
23
The Csound SuperSamplerSequencer
38
CDROM Tutorials
44
Optimizing Your Csound Instruments
123
Using Csounds Macro Language Extensions
137
Designing Acoustically Viable Instruments in Csound
155
An Introduction to Signal Processing with Csound
389
Understanding Csounds Spectral Data Types
437
Using Csound to Understand Delay Lines and Their Applications
451
An Introduction to Reverberation Design with Csound
467
Implementing the Gardner Reverbs in Csound
483
Csoundbased Auditory Localization
493
Spare Luxury
575
Extending Csound
599

Designing Legato Instruments in Csound
171
ContiguousGroup Wavetable Synthesis of the French Horn
187
Modeling Classic Electronic Keyboards in Csound
207
A Survey of Classic Synthesis Techniques in Csound
223
FM Synthesis in Csound
261
Granular Synthesis in Csound
281
CDROM Music
282
Processing Samples with Csounds FOF Opcode
307
Adding New Unit Generators to Csound
613
List of the Csound Book Chapter Instruments
637
Recommended Reading
645
Recommended Listening
647
Csounds Error Messages
663
Csound Quick Reference
701
Index
727
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Über den Autor (2000)

Richard Boulanger is Professor of Electronic Production and Design at the Berklee College of Music and editor of The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming (MIT Press, 2000).

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