Contrast in Shakespeare's Historical PlaysNational capital Press, Incorporated, 1915 - 118 Seiten |
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Archer Aristotle audience Bolingbroke Brunetière Cardinal character chronicle Cibber classical closet drama comedy crises critics crown dramatic contrast dramatic value dramatist dramaturgic Duchess Duchess of Gloucester Duke Eastcheap Edipus element of contrast English historical plays episodes essential fact Falstaff father Faulconbridge France Freytag fundamental Gloucester Gloucester's hath Henry IV Henry VIII hero Holinshed Holinshed's Hotspur House of York Hubert impression interesting culminations King Henry VI King Henry VIII King John King Richard King Richard II King's Lady Lady Windermere's Fan Le Cid Lord Margaret material minor contrasts murder novel older play person plays of King present Prince Hal principle Pucelle Queen rose scene of Act Shake Shakespeare soliloquy sources spirit stage story Talbot théâtre theatrical theory of contrast theory of dramatic three plays tion tragedy trast Troublesome Raigne true unity of action unity of place volitional conflict wherein writing
Beliebte Passagen
Seite 63 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious...
Seite 84 - I'll sup. Farewell. Poins. Farewell, my lord. [Exit POINS. P. Hen. I know you all, and will awhile uphold The unyok'd humour of your idleness ; Yet herein will I imitate the sun, Who doth permit the base contagious clouds To smother up his beauty from the world...
Seite 84 - So, when this loose behaviour I throw off, And pay the debt I never promised, By how much better than my word I am, By so much shall I falsify men's hopes ; And, like bright metal on a sullen ground, My reformation, glittering o'er my fault, Shall show more goodly and attract more eyes Than that which hath no foil to set it off.
Seite 71 - Was ever woman in this humour woo'd ? Was ever woman in this humour won ? I'll have her, but I will not keep her long.
Seite 15 - For it is faulty both in place and time, the two necessary companions of all corporal actions. For where the stage should always represent but one place, and the uttermost time presupposed in it should be, both by Aristotle's precept and common reason, but one day, there is both many days and many places inartificially imagined.
Seite 47 - Let him that is no coward nor no flatterer, But dare maintain the party of the truth, Pluck a red rose from off this thorn with me.
Seite 15 - He rather prays you will be pleased to see One such to-day, as other plays should be ; Where neither chorus wafts you o'er the seas...
Seite 99 - ELY. The strawberry grows underneath the nettle; And wholesome berries thrive and ripen best Neighbour'd by fruit of baser quality...
Seite 64 - Venice gave His body to that pleasant country's earth, And his pure soul unto his captain Christ, Under whose colours he had fought so long.
Seite 12 - Que si j'ai renfermé cette pièce, dit-il, dans la règle d'un jour, ce n'est pas que je me repente de n'y avoir point mis Mélite, ou que je me sois résolu à m'y attacher dorénavant.