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Seite 13
The science of literature is still literature . a Bellour : You say that your text on narrative takes a stand on literature without aiming at contemporary literature : in fact it accords an essential privilege to contemporary literature ...
The science of literature is still literature . a Bellour : You say that your text on narrative takes a stand on literature without aiming at contemporary literature : in fact it accords an essential privilege to contemporary literature ...
Seite 14
because we always think of narrative in the form of the dominant model , forgetting that poetic discourse , for example , is also narrative , even if we don't call it that : we don't see that what needs to be destroyed is not narrative ...
because we always think of narrative in the form of the dominant model , forgetting that poetic discourse , for example , is also narrative , even if we don't call it that : we don't see that what needs to be destroyed is not narrative ...
Seite 15
Don't you think : that the great shortcoming of certain types of narrative has its origin in the impossibility of elimination as well as the constitution of meaning . Modern narrative forms cannot accede to this “ naught ” of Mallarmé ...
Don't you think : that the great shortcoming of certain types of narrative has its origin in the impossibility of elimination as well as the constitution of meaning . Modern narrative forms cannot accede to this “ naught ” of Mallarmé ...
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Inhalt
2 Summer | 2 |
Connotation Reconsidered | 18 |
A Philosophical View of the Detective Novel | 32 |
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according aesthetic alterity analysis appear attempt Barthes become beginning Bellour called capitalism character cinema cognitive concept concerns connotation constituted criticism culture Deal denotation detective devices dialectic discourse early effect elements estrangement evidence example existence expression fact fantasy figurative film finally formal function future genre Germany give hand hero Hitler human identity ideological images imaginary important individual institutions issue John Kent kind language literary literature longer manner mass culture meaning myth narrative naturalist never notion novel object original political possible precisely present Press problem produced questions reader recent reference represents science fiction scientific seems sense signifier social society specific stories structure Studies style Superman Superman stories Suvin Syberberg term theory thing tion tradition true ture University writes written