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Seite 77
And the ideological prehistory of fascism consists precisely in this emphasis on irrationalism coupled with despair and elitist illusions . Georg Lukács has given detailed proof of this in his book The Destruction of Reason , Thomas ...
And the ideological prehistory of fascism consists precisely in this emphasis on irrationalism coupled with despair and elitist illusions . Georg Lukács has given detailed proof of this in his book The Destruction of Reason , Thomas ...
Seite 132
In a recent article he states that “ North American reception aesthetics ” altered around 1910 , allowing the absorption of ideology into SF in the form of motifs of violent adventure , disembodied technology and catastrophic historical ...
In a recent article he states that “ North American reception aesthetics ” altered around 1910 , allowing the absorption of ideology into SF in the form of motifs of violent adventure , disembodied technology and catastrophic historical ...
Seite 133
To imply that ideology and commerce can be separated from cognitive art is to engage in politically self - defeating thinking . Rather than simply labeling critical SF “ cognitive " and falsely treating it as high art while ideological ...
To imply that ideology and commerce can be separated from cognitive art is to engage in politically self - defeating thinking . Rather than simply labeling critical SF “ cognitive " and falsely treating it as high art while ideological ...
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Inhalt
2 Summer | 2 |
Connotation Reconsidered | 18 |
A Philosophical View of the Detective Novel | 32 |
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according aesthetic alterity analysis appear attempt Barthes become beginning Bellour called capitalism character cinema cognitive concept concerns connotation constituted criticism culture Deal denotation detective devices dialectic discourse early effect elements estrangement evidence example existence expression fact fantasy figurative film finally formal function future genre Germany give hand hero Hitler human identity ideological images imaginary important individual institutions issue John Kent kind language literary literature longer manner mass culture meaning myth narrative naturalist never notion novel object original political possible precisely present Press problem produced questions reader recent reference represents science fiction scientific seems sense signifier social society specific stories structure Studies style Superman Superman stories Suvin Syberberg term theory thing tion tradition true ture University writes written