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Seite 6
You can't just consider the written text to be the simple “ translation ” of the image or of speech , nor even consider it to be an object among other objects of transmission , of expression , of translation .
You can't just consider the written text to be the simple “ translation ” of the image or of speech , nor even consider it to be an object among other objects of transmission , of expression , of translation .
Seite 20
119 ) : “ Thus it seems appropriate to view the connotators as content for which the denotative semiotics are expression , and to designate this content and this express as a semiotic , namely a connotative semiotic ( author's italics ) ...
119 ) : “ Thus it seems appropriate to view the connotators as content for which the denotative semiotics are expression , and to designate this content and this express as a semiotic , namely a connotative semiotic ( author's italics ) ...
Seite 21
of denotation3 “ are the expression " that has the connotator as its content . Or , further , on p . 119 : “ Thus a connotative semiotic is a semiotic that is not a language , and one whose expression plane is provided by the content ...
of denotation3 “ are the expression " that has the connotator as its content . Or , further , on p . 119 : “ Thus a connotative semiotic is a semiotic that is not a language , and one whose expression plane is provided by the content ...
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Inhalt
2 Summer | 2 |
Connotation Reconsidered | 18 |
A Philosophical View of the Detective Novel | 32 |
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according aesthetic alterity analysis appear attempt Barthes become beginning Bellour called capitalism character cinema cognitive concept concerns connotation constituted criticism culture Deal denotation detective devices dialectic discourse early effect elements estrangement evidence example existence expression fact fantasy figurative film finally formal function future genre Germany give hand hero Hitler human identity ideological images imaginary important individual institutions issue John Kent kind language literary literature longer manner mass culture meaning myth narrative naturalist never notion novel object original political possible precisely present Press problem produced questions reader recent reference represents science fiction scientific seems sense signifier social society specific stories structure Studies style Superman Superman stories Suvin Syberberg term theory thing tion tradition true ture University writes written