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Seite 116
According to Barthes , the dialectic of imaginary and real involved in the general process of figural representation : involves giving to the imaginary a formal guarantee of the real , but while preserving in the sign the ambiguity of a ...
According to Barthes , the dialectic of imaginary and real involved in the general process of figural representation : involves giving to the imaginary a formal guarantee of the real , but while preserving in the sign the ambiguity of a ...
Seite 118
The dialectic of the imaginary and the real crucial to the critical potential of the Fantastic is thus a dialectic between classes of signifiers , between cultural images of potentiality and actuality drawn from visions of the society ...
The dialectic of the imaginary and the real crucial to the critical potential of the Fantastic is thus a dialectic between classes of signifiers , between cultural images of potentiality and actuality drawn from visions of the society ...
Seite 135
Culture as cognition and affect combined , both deadly serious and playfully parodic , grounds political ambivalence ; suppress this dialectic in theory or practice , and the real source of resistance is lost .
Culture as cognition and affect combined , both deadly serious and playfully parodic , grounds political ambivalence ; suppress this dialectic in theory or practice , and the real source of resistance is lost .
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Inhalt
2 Summer | 2 |
Connotation Reconsidered | 18 |
A Philosophical View of the Detective Novel | 32 |
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according aesthetic alterity analysis appear attempt Barthes become beginning Bellour called capitalism character cinema cognitive concept concerns connotation constituted criticism culture Deal denotation detective devices dialectic discourse early effect elements estrangement evidence example existence expression fact fantasy figurative film finally formal function future genre Germany give hand hero Hitler human identity ideological images imaginary important individual institutions issue John Kent kind language literary literature longer manner mass culture meaning myth narrative naturalist never notion novel object original political possible precisely present Press problem produced questions reader recent reference represents science fiction scientific seems sense signifier social society specific stories structure Studies style Superman Superman stories Suvin Syberberg term theory thing tion tradition true ture University writes written