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Seite 37
The third aspect is the most characteristic of the detective story , rendering it unmistakably independent of the detective figure . Before the first word of the first chapter something happened , but no one knows what , apparently not ...
The third aspect is the most characteristic of the detective story , rendering it unmistakably independent of the detective figure . Before the first word of the first chapter something happened , but no one knows what , apparently not ...
Seite 42
Thoroughly unChristian , this sentence reveals a part of the detective novel's time and space which , commensurate with the circumstances , has remained unchanged . Brecht , for good reasons a student of this type of literature ...
Thoroughly unChristian , this sentence reveals a part of the detective novel's time and space which , commensurate with the circumstances , has remained unchanged . Brecht , for good reasons a student of this type of literature ...
Seite 43
longer - conscious , at close inspection a reconstruction very close to the detective form emerges , of that which in Freud's words has led in the “ Acherontic ” of earlier times to the existing complex and resolves it as soon as it is ...
longer - conscious , at close inspection a reconstruction very close to the detective form emerges , of that which in Freud's words has led in the “ Acherontic ” of earlier times to the existing complex and resolves it as soon as it is ...
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Inhalt
2 Summer | 2 |
Connotation Reconsidered | 18 |
A Philosophical View of the Detective Novel | 32 |
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according aesthetic alterity analysis appear attempt Barthes become beginning Bellour called capitalism character cinema cognitive concept concerns connotation constituted criticism culture Deal denotation detective devices dialectic discourse early effect elements estrangement evidence example existence expression fact fantasy figurative film finally formal function future genre Germany give hand hero Hitler human identity ideological images imaginary important individual institutions issue John Kent kind language literary literature longer manner mass culture meaning myth narrative naturalist never notion novel object original political possible precisely present Press problem produced questions reader recent reference represents science fiction scientific seems sense signifier social society specific stories structure Studies style Superman Superman stories Suvin Syberberg term theory thing tion tradition true ture University writes written