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Seite 119
Suvin's interpretation of Brecht's notion of estrangement is also problematic . For Brecht , the Verfremdungseffekt involved the inhibition of empathetic spectator identification with dramatic characters , which resulted in a breaking ...
Suvin's interpretation of Brecht's notion of estrangement is also problematic . For Brecht , the Verfremdungseffekt involved the inhibition of empathetic spectator identification with dramatic characters , which resulted in a breaking ...
Seite 128
Suvin's argument against the mythological tale becomes , at times , an intemperate polemic . His central point is that because modern fiction ( including SF ) is strongly historical and myth is not , most fiction can only be formally ...
Suvin's argument against the mythological tale becomes , at times , an intemperate polemic . His central point is that because modern fiction ( including SF ) is strongly historical and myth is not , most fiction can only be formally ...
Seite 131
tion , Suvin's work in SF historical criticism tends to expand the boundary of the genre beyond conventional limits . Notably , Suvin includes the tradition of utopian writings entirely within his definition of SF , stating that ...
tion , Suvin's work in SF historical criticism tends to expand the boundary of the genre beyond conventional limits . Notably , Suvin includes the tradition of utopian writings entirely within his definition of SF , stating that ...
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Inhalt
2 Summer | 2 |
Connotation Reconsidered | 18 |
A Philosophical View of the Detective Novel | 32 |
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according aesthetic alterity analysis appear attempt Barthes become beginning Bellour called capitalism character cinema cognitive concept concerns connotation constituted criticism culture Deal denotation detective devices dialectic discourse early effect elements estrangement evidence example existence expression fact fantasy figurative film finally formal function future genre Germany give hand hero Hitler human identity ideological images imaginary important individual institutions issue John Kent kind language literary literature longer manner mass culture meaning myth narrative naturalist never notion novel object original political possible precisely present Press problem produced questions reader recent reference represents science fiction scientific seems sense signifier social society specific stories structure Studies style Superman Superman stories Suvin Syberberg term theory thing tion tradition true ture University writes written