Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 24Indiana University Press, 2002 |
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Seite 95
... kino - eye . " I must here define Vertov's “ kino - eye . ” “ Kino ” is the Russian word for cinema . A camera is a " kino - apparat . " " Kino - oko " is a way Discourse , 24.3 , Fall 2002 , pp . 95–113 . Copyright © 2003 Wayne State ...
... kino - eye . " I must here define Vertov's “ kino - eye . ” “ Kino ” is the Russian word for cinema . A camera is a " kino - apparat . " " Kino - oko " is a way Discourse , 24.3 , Fall 2002 , pp . 95–113 . Copyright © 2003 Wayne State ...
Seite 103
... kino - eye moves in the direction of the greater sum of the force of the colliding objects . But notice that the ... eye , the camera , rejecting the human eye as crib sheet , gropes its way through the chaos of visual events , letting ...
... kino - eye moves in the direction of the greater sum of the force of the colliding objects . But notice that the ... eye , the camera , rejecting the human eye as crib sheet , gropes its way through the chaos of visual events , letting ...
Seite 104
... kino - eye is tied to its discovery of its own motion . It is the apotheosis of a nonhuman objectivity which takes control in a revolutionary sweep . This figure of the kino - eye moves in two directions , however . Let us correlate the ...
... kino - eye is tied to its discovery of its own motion . It is the apotheosis of a nonhuman objectivity which takes control in a revolutionary sweep . This figure of the kino - eye moves in two directions , however . Let us correlate the ...
Inhalt
Ecological Consciousness | 3 |
Lascaux Eros and the Anamorphic Subject | 18 |
The City and Its Other | 30 |
Urheberrecht | |
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