Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1989 |
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Seite 34
... piece , and their characteristics ) is given at the outset of the compositional process , and remains unchanged during the realization of the work . " " In this perspective , Thomas DeLio has recently shown in his brilliant analysis of ...
... piece , and their characteristics ) is given at the outset of the compositional process , and remains unchanged during the realization of the work . " " In this perspective , Thomas DeLio has recently shown in his brilliant analysis of ...
Seite 116
... piece , we run into trouble as soon as we try to fix the two chords in terms of a tonal hierarchy . The pedal is first harmonized by A major , which serves as the refer- ence point for much of the piece . The C minor harmonization ...
... piece , we run into trouble as soon as we try to fix the two chords in terms of a tonal hierarchy . The pedal is first harmonized by A major , which serves as the refer- ence point for much of the piece . The C minor harmonization ...
Seite 122
... piece I know . The eaceful third movement seems almost to have been a transgres- Son , an obstacle to the transcendental quest that fuels this amphony . As the " man " says in " Langue d'amour , " " We have go now . " In Anderson's piece ...
... piece I know . The eaceful third movement seems almost to have been a transgres- Son , an obstacle to the transcendental quest that fuels this amphony . As the " man " says in " Langue d'amour , " " We have go now . " In Anderson's piece ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 68 |
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