Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1989 |
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Seite 32
... film actor " dominates from above . The viewer is squashed : low- angles . Theatre is without this ' superman ' dimension which makes us feel people's size and weight " ( 86 ) . In other words , the proximity of the actor sustains this ...
... film actor " dominates from above . The viewer is squashed : low- angles . Theatre is without this ' superman ' dimension which makes us feel people's size and weight " ( 86 ) . In other words , the proximity of the actor sustains this ...
Seite 33
... FILM The distinction is an important one , since the notion of praxis depends on human reality as a project . Again , this is why in discussing film and theatre the figure of the actor is the center of Sartre's critical trajectory . Film ...
... FILM The distinction is an important one , since the notion of praxis depends on human reality as a project . Again , this is why in discussing film and theatre the figure of the actor is the center of Sartre's critical trajectory . Film ...
Seite 42
... film , unites them in a project against this impossibility : the praxis of working out ( of ) what appears to be an enigma , the petrified meaning of Film . 12 There is a film by Jacques Tati , Playtime ( 1967 ) , which does with the ...
... film , unites them in a project against this impossibility : the praxis of working out ( of ) what appears to be an enigma , the petrified meaning of Film . 12 There is a film by Jacques Tati , Playtime ( 1967 ) , which does with the ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 68 |
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