Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1989 |
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Seite 33
... action . Theatre presents the action of the man to men as an audience and , through this action , the performer of the action and the world he lives in . ( 86-87 ) In theatre , we perceive the world on a human screen ; perhaps , a ...
... action . Theatre presents the action of the man to men as an audience and , through this action , the performer of the action and the world he lives in . ( 86-87 ) In theatre , we perceive the world on a human screen ; perhaps , a ...
Seite 34
... action is in cinema , except to say that " whereas in film we deal with actors and action en conserve , theatre is a true event " ( 85 ) . If he does not define cinematic action , the answer is simple enough . Such “ action ” has no ...
... action is in cinema , except to say that " whereas in film we deal with actors and action en conserve , theatre is a true event " ( 85 ) . If he does not define cinematic action , the answer is simple enough . Such “ action ” has no ...
Seite 36
... action go together : " the Idea as a living praxis emerges in action and as a moment of action as an ever contestable key to the world " ( CDR 302 ) . The unthought idea is an undone action . The impotence of the viewer crushed under ...
... action go together : " the Idea as a living praxis emerges in action and as a moment of action as an ever contestable key to the world " ( CDR 302 ) . The unthought idea is an undone action . The impotence of the viewer crushed under ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 68 |
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