Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1989 |
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Seite 121
... Anderson has said : “ I also think that women are excellent social critics , basically because we have nothing to lose , anyway . It's like we're not in a position of power , so we don't risk a lot by being critical of it . " 32 ...
... Anderson has said : “ I also think that women are excellent social critics , basically because we have nothing to lose , anyway . It's like we're not in a position of power , so we don't risk a lot by being critical of it . " 32 ...
Seite 122
... Anderson's piece , by contrast , there is no trans- no remorse , no impulse to return to narrative . Only gression , pleasure . By sug pleasure essentia artisti is d г at Anderson produces images of feminine e , I do not mean that there ...
... Anderson's piece , by contrast , there is no trans- no remorse , no impulse to return to narrative . Only gression , pleasure . By sug pleasure essentia artisti is d г at Anderson produces images of feminine e , I do not mean that there ...
Seite 59
... Anderson's case though , this articulation of the uncanny is also used to theorize the frame of contemporary performance art . Throughout the performance of United States , Anderson addresses her audience through what she calls " The ...
... Anderson's case though , this articulation of the uncanny is also used to theorize the frame of contemporary performance art . Throughout the performance of United States , Anderson addresses her audience through what she calls " The ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 68 |
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