Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 11Indiana University Press, 1989 |
Im Buch
Ergebnisse 1-3 von 31
Seite 56
... dominant ideology . They are coupled ones who do not impale themselves on the poles of sexual difference or meta- physical values , but constantly seduce the sign system through -- flirtation and inconstancy into the light fondle of ...
... dominant ideology . They are coupled ones who do not impale themselves on the poles of sexual difference or meta- physical values , but constantly seduce the sign system through -- flirtation and inconstancy into the light fondle of ...
Seite 11
... dominant Han's own political and ethical agendas . As a Han woman herself , Yau's exploration of the dominant and minority cultures within the Chinese entity unavoidably turns her “ reading the Other . . . into a confronta- tion with ...
... dominant Han's own political and ethical agendas . As a Han woman herself , Yau's exploration of the dominant and minority cultures within the Chinese entity unavoidably turns her “ reading the Other . . . into a confronta- tion with ...
Seite 117
... dominant and " minority " cultures within China , one encounters topographical features akin to one's own nation as regards the hegemony of dominant cultures . In this way , reading the Other is turned into a confrontation with the Self ...
... dominant and " minority " cultures within China , one encounters topographical features akin to one's own nation as regards the hegemony of dominant cultures . In this way , reading the Other is turned into a confrontation with the Self ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's Peter Chan pleasure political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth