Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 11Indiana University Press, 1989 |
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Seite 89
... desire . Aboard , the women instantly succumb to the tyrannical rule of Madame X and her double , the ship's mysterious figurehead . While each figure obsessively continues to stage her contribution to femininity in increasingly ...
... desire . Aboard , the women instantly succumb to the tyrannical rule of Madame X and her double , the ship's mysterious figurehead . While each figure obsessively continues to stage her contribution to femininity in increasingly ...
Seite 126
... desire . For Irigaray , this desire , constituted by patriarchy , must be renounced if women are to find a desire specific to themselves . Analogously , would we ask of Aschenbach that he renounce his desire and seek his own voice in ...
... desire . For Irigaray , this desire , constituted by patriarchy , must be renounced if women are to find a desire specific to themselves . Analogously , would we ask of Aschenbach that he renounce his desire and seek his own voice in ...
Seite 72
... desire and pleasure . . . a desire for this oscillation per se , which leads to the deferment of the completion of desire in favor of the perpetuation of the conditions of desire . ETHNO : Paradoxical structure of strangeness —we want ...
... desire and pleasure . . . a desire for this oscillation per se , which leads to the deferment of the completion of desire in favor of the perpetuation of the conditions of desire . ETHNO : Paradoxical structure of strangeness —we want ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's Peter Chan pleasure political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth