Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 11Indiana University Press, 1989 |
Im Buch
Ergebnisse 1-3 von 14
Seite 42
... world is on the move because this " civilization " of " enlightenment , " of " analysis " and " history " has ... Third World " of what still remains in the world in the way of the anthropological . A ludicrous discourse on ...
... world is on the move because this " civilization " of " enlightenment , " of " analysis " and " history " has ... Third World " of what still remains in the world in the way of the anthropological . A ludicrous discourse on ...
Seite 82
... World ) and can be a matter of necessity in the case of Third World filmmakers . As a filmmaker , it takes me usually two or four years to complete a film , partly a necessity dictated by Third World reali- ties and partly a choice to ...
... World ) and can be a matter of necessity in the case of Third World filmmakers . As a filmmaker , it takes me usually two or four years to complete a film , partly a necessity dictated by Third World reali- ties and partly a choice to ...
Seite 116
... Third World " realms on one hand , or obsessively inscribing " women of color " in their global femi- nisms on the other . In this respect , the following discussion of the political and cultural usage of non - Han women in Chinese ...
... Third World " realms on one hand , or obsessively inscribing " women of color " in their global femi- nisms on the other . In this respect , the following discussion of the political and cultural usage of non - Han women in Chinese ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's Peter Chan pleasure political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth