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Seite vii
321 ) —had appeared already in the earlier quartos without much significance or coherence ; it is only in the third Quarto that we are first enabled to understand its real point , and it becomes at once clear that the so - called ...
321 ) —had appeared already in the earlier quartos without much significance or coherence ; it is only in the third Quarto that we are first enabled to understand its real point , and it becomes at once clear that the so - called ...
Seite xi
When we remember that King John and Richard II . were written probably within a year of one another , it becomes still more likely that Shakespeare should have produced the two similar plays by similar methods ; and the likelihood is ...
When we remember that King John and Richard II . were written probably within a year of one another , it becomes still more likely that Shakespeare should have produced the two similar plays by similar methods ; and the likelihood is ...
Seite xxii
Given the circumstances , this inevitability must strike us or the drama becomes forced , artificial , unreal . The fact that we are not given the circumstances until after we have read or seen the play explains how the inevitability of ...
Given the circumstances , this inevitability must strike us or the drama becomes forced , artificial , unreal . The fact that we are not given the circumstances until after we have read or seen the play explains how the inevitability of ...
Seite xxiii
It is a commonplace of Shakespearian criticism to point out that the creator of Richard was evidently in 1593-5 on the way to becoming the creator of Hamlet . The same methods of character delineation are common to both plays in ...
It is a commonplace of Shakespearian criticism to point out that the creator of Richard was evidently in 1593-5 on the way to becoming the creator of Hamlet . The same methods of character delineation are common to both plays in ...
Seite xxv
Already he sees himself in a new rôle --that of the rightful king overpowered by the superior force of treason and rebellion — and is prepared to play it even before its necessity becomes fully apparent . Northumberland approaches to ...
Already he sees himself in a new rôle --that of the rightful king overpowered by the superior force of treason and rebellion — and is prepared to play it even before its necessity becomes fully apparent . Northumberland approaches to ...
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Häufige Begriffe und Wortgruppen
appear arms Aumerle Bagot banishment blood Boling Bolingbroke breath Bushy cause character comes common Compare cousin crown dear death doth Duch Duke earth England English Enter evidently Exeunt face fair fall farewell fear friends Gaunt give Green grief Hamlet hand hast hath head hear heart heaven Henry Hereford Holinshed honour keep King John King Richard land leave live look lord majesty meaning Mowbray never noble Norfolk North Northumberland pardon peace phrase play possible Prince probably Quarto Queen reference rest Rich royal SCENE seems sense Shake Shakespeare soul speak speech stand suggested supra tears thee things thou thoughts tongue traitor treason true uncle York
Beliebte Passagen
Seite 31 - This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall Or as a moat defensive to a house, Against the envy of less happier lands ; This blessed plot, this earth, this realm, this England, This nurse, this teeming womb of royal kings, Fear'd by their breed and famous by their birth...
Seite 25 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Seite 69 - I'll give my jewels for a set of beads, My gorgeous palace for a hermitage, My gay apparel for an alms-man's gown, My...
Seite 93 - As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard ! no man cried, God save him...
Seite 93 - Richard : no man cried, God save him ! No joyful tongue gave him his welcome home ; But dust was thrown upon his sacred head, Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience, — That, had not God, for some strong...
Seite 79 - Against black pagans, Turks, and Saracens : And, toil'd with works of war, retired himself To Italy ; and there at Venice, gave His body to that pleasant country's earth, And his pure soul unto his captain Christ, Under whose colours he had fought so long.
Seite 30 - This royal throne of kings, this scept'red isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Seite 92 - You would have thought the very windows spake, So many greedy looks of young and old Through casements darted their desiring eyes Upon his visage ; and that all the walls With painted imagery had said at once, — " Jesu preserve thee ! welcome, Bolingbroke...
Seite 20 - And now my tongue's use is to me no more Than an unstringed viol, or a harp ; Or like a cunning instrument cas'd up, Or, being open, put into his hands That knows no touch to tune the harmony.
Seite 50 - I count myself in nothing else so happy, As in a soul rememb'ring my good friends ; And, as my fortune ripens with thy love, It shall be still thy true love's recompense: My heart this covenant makes, my hand thus seals it.
Bibliografische Informationen
| Titel | The Works of Shakespeare ... Band 18 von The Works of Shakespeare, William Shakespeare |
| Autor/in | William Shakespeare |
| Herausgeber | William James Craig, Robert Hope Case |
| Verlag | Bobbs-Merrill Company, 1925 |
| Original von | Princeton University |
| Digitalisiert | 19. Febr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |