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Oh, ever beauteous, ever friendly! tell,
Is it, in heaven, a crime to love too well?
To bear too tender, or too firm a heart,
To act a lover's or a Roman's part?
Is there no bright reversion in the sky,
For those who greatly think, or bravely die?

Why bade ye else, ye Powers! her soul aspire
Above the vulgar flight of low desire?
Ambition first sprung from your blest abodes;
The glorious fault of angels and of gods:
Thence to their images on earth it flows,
And in the breasts of kings and heroes glows.
Most souls, 'tis true, but peep out once an age,
Dull, sullen prisoners in the body's cage:

Dim lights of life, that burn a length of years
Useless, unseen, as lamps in sepulchres ;
Like Eastern kings a lazy state they keep,

And, close confined to their own palace, sleep.
From these perhaps (ere Nature bade her die)
Fate snatch'd her early to the pitying sky.
As into air the purer spirits flow,

And separate from their kindred dregs below;
So flew the soul to its congenial place,

Nor left one virtue to redeem her race.

But thou, false guardian of a charge too good,
Thou, mean deserter of thy brother's blood!
See on these ruby lips the trembling breath,
These cheeks, now fading at the blast of death;
Cold is that breast which warm'd the world before,
And those love-darting eyes must roll no more.
Thus, if Eternal Justice rules the ball,

Thus shall your wives, and thus your children fall :
On all the line a sudden vengeance waits,

And frequent hearses shall besiege your gates.

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There passengers shall stand, and pointing say, (While the long funerals blacken all the way)

Lo, these were they, whose souls the Furies steel'd, And cursed with hearts unknowing how to yield.' Thus unlamented pass the proud away,

The gaze

of fools, and pageant of a day! So perish all, whose breast ne'er learn'd to glow For others' good, or melt at others' woe.

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What can atone (O ever-injured Shade!) Thy fate unpitied, and thy rites unpaid? No friend's complaint, no kind domestic tear Pleased thy pale ghost, or graced thy mournful bier. 50 By foreign hands thy dying eyes were closed, By foreign hands thy decent limbs composed, By foreign hands thy humble grave adorn'd, By strangers honour'd, and by strangers mourn'd! What, though no friends in sable weeds appear, Grieve for an hour, perhaps, then mourn a year, And bear about the mockery of woe To midnight dances, and the public show? What, though no weeping loves thy ashes grace, Nor polish'd marble emulate thy face? What, though no sacred earth allow thee room, Nor hallow'd dirge be mutter'd o'er thy tomb? Yet shall thy grave with rising flowers be dress'd, And the green turf lie lightly on thy breast: There shall the morn her earliest tears bestow, There the first roses of the year shall blow; While angels with their silver wings o'ershade The ground, now sacred by thy relics made.

So peaceful rests, without a stone, a name, What once had beauty, titles, wealth, and fame. How loved, how honour'd once, avails thee not, To whom related, or by whom begot;

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A heap of dust alone remains of thee,
'Tis all thou art, and all the proud shall be!

Poets themselves must fall, like those they sung,
Deaf the praised ear, and mute the tuneful tongue.
Even he, whose soul now melts in mournful lays,
Shall shortly want the generous tear he pays;
Then from his closing eyes thy form shall part,
And the last pang shall tear thee from his heart;
Life's idle business at one gasp be o'er,

The Muse forgot, and thou beloved no more!

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PROLOGUE TO MR ADDISON'S TRAGEDY OF CATO.

To wake the soul by tender strokes of art,
To raise the genius, and to mend the heart;
To make mankind, in conscious virtue bold,
Live o'er each scene, and be what they behold:
For this the tragic Muse first trod the stage,
Commanding tears to stream through every age;
Tyrants no more their savage nature kept,
And foes to virtue wonder'd how they wept.
Our author shuns by vulgar springs to move
The hero's glory, or the virgin's love;
In pitying love, we but our weakness show,
And wild ambition well deserves its woe.
Here tears shall flow from a more generous cause,
Such tears as patriots shed for dying laws:
He bids your breasts with ancient ardour rise,
And calls forth Roman drops from British eyes.
Virtue confess'd in human shape he draws,
What Plato thought, and godlike Cato was :

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No common object to your sight displays,
But what with pleasure 1 Heaven itself surveys,
A brave man struggling in the storms of fate,
And greatly falling with a falling state.
While Cato gives his little senate laws,
What bosom beats not in his country's cause?
Who sees him act, but envies every deed?
Who hears him groan, and does not wish to bleed?
Even when proud Cæsar, 'midst triumphal cars,
The spoils of nations, and the pomp of wars,
Ignobly vain and impotently great,
Show'd Rome her Cato's figure drawn in state;
As her dead father's reverend image pass'd,
The pomp was darken'd and the day o'ercast ;
The triumph ceased, tears gush'd from every eye;
The world's great victor pass'd unheeded by ;
Her last good man dejected Rome adored,
And honour'd Cæsar's less than Cato's sword.
Britons, attend: be worth like this approved,
And show you have the virtue to be moved.
With honest scorn the first famed Cato view'd
Rome learning arts from Greece, whom she subdued; 40
Your scene precariously subsists too long

On French translation, and Italian song.

Dare to have sense yourselves; assert the stage,
Be justly warm'd with your own native rage;
Such plays alone should win a British ear,
As Cato's self had not disdain'd to hear.

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But what with pleasure: this alludes to a famous passage of Seneca, which Mr Addison afterwards used as a motto to his play, when it was printed.

IMITATIONS OF ENGLISH POETS.1

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I. CHAUCER.

WOMEN ben full of ragerie,

Yet swinken nat sans secresie.
Thilke moral shall ye understond,

From schoole-boy's tale of fayre Irelond:
Which to the fennes hath him betake,
To filche the gray ducke fro the lake.
Right then, there passen by the way
His aunt, and eke her daughters tway.
Ducke in his trowses hath he hent,
Not to be spied of ladies gent.
But ho! our nephew!' crieth one;
'Ho!' quoth another, Cozen John ;'
And stoppen, and lough, and callen out,—
This sely clerke full low doth lout:
They asken that, and talken this,
'Lo here is Coz, and here is Miss.'
But, as he glozeth with speeches soote,
The ducke sore tickleth his erse roote:
Fore-piece and buttons all to-brest,

Forth thrust a white neck, and red crest.

Te-he,' cried ladies; clerke nought spake :

Miss stared; and gray ducke crieth 'Quaake.'

'O moder, moder!' quoth the daughter,

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Be thilke same thing maids longen a❜ter?
Bette is to pyne on coals and chalke,
Then trust on mon, whose yerde can talke.'

'Done by the author in his youth.

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