Fear and Misery of the Third ReichA&C Black, 30.12.2015 - 144 Seiten Also known as The Private Life of the Master Race, this is a sequence of twenty-four realistic sketches showing how "ordinary" life under the Nazis was subtly permeated by suspicion and anxiety. Written in exile in Denmark and first staged in 1938 it was inspired in part by his recent trip to Moscow where he had been researching tasks for the anti-Nazi effort. |
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Seite i
... Nazis between 1933 and 1938. The scenes are 'realistic' based on reports from the inside, but strung together to create a montage of life during those years. This translation by John Willett includes Brecht's own notes and relevant ...
... Nazis between 1933 and 1938. The scenes are 'realistic' based on reports from the inside, but strung together to create a montage of life during those years. This translation by John Willett includes Brecht's own notes and relevant ...
Seite vii
... Nazi Germany but cut off from that country's theatre, publishers and cinema, Moscow's International Organisation of Revolutionary Theatres (or MORT) was broadened and put under an exiled German director, Erwin Piscator, the Communist ...
... Nazi Germany but cut off from that country's theatre, publishers and cinema, Moscow's International Organisation of Revolutionary Theatres (or MORT) was broadened and put under an exiled German director, Erwin Piscator, the Communist ...
Seite viii
... Nazi life that could be performed cheaply and independently of any professional stage. Piscator also knew these people, and during the summer of 1935 he developed the idea of producing a whole series of anti-Nazi propaganda films, which ...
... Nazi life that could be performed cheaply and independently of any professional stage. Piscator also knew these people, and during the summer of 1935 he developed the idea of producing a whole series of anti-Nazi propaganda films, which ...
Seite x
... Nazi Regime'; these and the Spain play would fill an evening. Minimal cast. As you see, in this way I too am turning to small-scale forms. In the event the Carrar evening was to be filled out by some Brecht songs performed by Weigel ...
... Nazi Regime'; these and the Spain play would fill an evening. Minimal cast. As you see, in this way I too am turning to small-scale forms. In the event the Carrar evening was to be filled out by some Brecht songs performed by Weigel ...
Seite xii
... Nazis. However, Brecht's own interest, to judge from his correspondence of the time, lay rather in the possibility of a production in New York, where Eisler had been working since January 1938 and Piscator went at the end of that year ...
... Nazis. However, Brecht's own interest, to judge from his correspondence of the time, lay rather in the possibility of a production in New York, where Eisler had been working since January 1938 and Piscator went at the end of that year ...
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Häufige Begriffe und Wortgruppen
1945 production anyway Arndt beer Berthold Viertel Bertolt Brecht Brecht Collected Plays brother bru¨hl butcher’s can’t Carrar chauffeur Comintern concentration camp cook course d’you mean dairywoman daughter Dievenbach doctor Dudow dying Eric Bentley ersatz father Fear and Misery fellow Fu¨hrer gas-mask German give goes Goll Ha¨berle he’s Heil Hitler Helene Weigel Hitler Youth honour husband Included in 99 inspector jehovah’s witness Jewish keep lohmann look maidservant Malik-Verlag Miehl mother Nazi neighbour never old woman older worker pastor Pause Peat-bog soldiers petit-bourgeois Piscator play’s production and PLMR prosecutor released round scenes scharfu¨hrer Schu¨nt and Gaunitzer second boy second woman senior judge stand Steve Giles suppose talk Tallinger tell theatre Theo there’s they’re thing Third Reich Tom Kuhn usher verse waggon What’s who’s wife Winter Aid won’t wouldn’t you’re young worker